Hewers of Wood, Drawers of Gall: The Wooden Economies of Race in Titus Andronicus and Lust’s Dominion

Q3 Arts and Humanities
Renaissance Drama Pub Date : 2020-09-01 DOI:10.1086/712101
W. Steffen
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引用次数: 1

Abstract

ance 39/ n the opening scene of Titus Andronicus (ca. 1594), the victorious Andronicus clan demands that the Goth queen’s eldest son, Alarbus, be seized, “That we may hew his limbs and on a pile, /Admanes fratrum, sacrifice his flesh / Before this earthly prison” (1.1.100–102; emphasis added). When Tamora’s plea for mercy fails to assuage her captors, Lucius orders his brothers to “make a fire straight, / And with our swords upon a pile of wood / Let’s hew his limbs till they be clean consumed” (1.1.130–32; emphasis added).When the Andronicus sons return a few moments later, Lucius draws attention to the offstage spectacle of smoke rising in the air:
木材之丘,高尔之抽屉:提图斯·安德罗尼库斯和路斯统治时期的木材种族经济
ance 39/在提图斯·安德洛尼库斯(约1594年)的开场白中,获胜的安德洛尼库斯家族要求抓住哥特女王的长子阿拉布斯,“这样我们就可以砍下他的四肢和一堆东西,/Admanes fratrum,牺牲他的肉/在这个世俗的监狱之前”(1.1.100–102;重点增加)。当塔莫拉的求饶未能平息绑架她的人时,卢修斯命令他的兄弟们“把火烧直,/把我们的剑放在一堆木头上/让我们砍下他的四肢,直到它们被彻底吃掉”(1.1.130–32;重点增加)。几分钟后,当安德罗尼库斯的儿子们回来时,卢修斯提请人们注意舞台外烟雾升起的景象:
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来源期刊
Renaissance Drama
Renaissance Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
8
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