Affective digital presence: How to free online writing and drawing?

Q2 Arts and Humanities
Francis Gilbert, M. Matthews
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引用次数: 1

Abstract

Online learning can be an alienating experience; students can feel their emotions are disregarded, marginalized or even viewed as hindrances as they try to motivate themselves to learn, staring at the dancing pixels of their illuminated screens. They feel at a remove from other students, trapped in other rooms, far away from them. The closeness of bodies in a shared physical space is raised as an absence. And yet, we contend in this article that connecting with affect in online learning spaces could build connectivity that counteracts the alienation of social distancing. Raw creative affective discourses can be challenging, and uncomfortable for others to take in but they are necessary online. We show that using non-digital practices such as drawing and writing freely, without inhibitions, can immeasurably enhance the online experience, giving a space for affect to be expressed in a safe but emancipatory learning architecture.
情感数字存在:如何免费在线写作和绘画?
在线学习可能是一种疏远他人的体验;当学生们盯着发光屏幕上跳舞的像素试图激励自己学习时,他们会觉得自己的情绪被忽视、边缘化,甚至被视为障碍。他们感到与其他学生格格不入,被困在其他房间里,远离他们。身体在一个共享的物理空间中的亲密感被提升为一种缺席。然而,我们在这篇文章中认为,在在线学习空间中与情感联系可以建立联系,抵消社交距离的异化。原始的创造性情感话语可能具有挑战性,让其他人难以接受,但它们在网上是必要的。我们表明,无限制地自由使用绘画和写作等非数字实践,可以极大地增强在线体验,为在安全但解放的学习架构中表达情感提供空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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