Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019

Rachel Mediana Untung, W. N. Christianto, Victor Ganap
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Abstract

The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study aims to reconstruct the practice of artistic requirements in Indonesian folksong choir competitions. The study is important because there is artistic contestation between choir culture and folk songs culture leading to a good hybrid performance in the Folklore category. This research method takes material from singing events through observations and studies of audio-visual documentation that are observed repeatedly. This study uses a performance centered approach study that concentrates on the choir's performance. Descriptive-analytic analysis is used as a consequence of the material of the event‘s  that relies on careful descriptions. The results of this study indicate, firstly the choirs which sang folk song repertoire are a hybrid performance characteristic.  Second, the relationship that occurs between artistic requirement and the reality of performances on stage occurs in a multidimensional manner. It was found that there was an adjustment to standardization in the perspective of the coral setting. Third, an understanding of the performance practice as multidimentional and hybrid with artistic requirements shows that a small portion is given to other dimensions (kinesthetic & visual).The findings can be used to reformulate artistic requirements entailing a bigger cultural aspect of folk songs.
2019年印尼合唱比赛民歌合唱行为的混合表演
合唱文化与民歌的艺术之争是音乐学研究的一个重要问题。本研究关注的问题集中在演唱混合声乐的演唱行为上。合唱团的歌唱行为具有标准的声乐技巧,另一方面,理解民歌的背景包括来自一个民族的自然歌唱表达,而不会被良好的声乐技巧所掩盖。本研究旨在重建印尼民歌合唱团比赛艺术要求的实践。这项研究之所以重要,是因为合唱团文化和民歌文化之间存在着艺术上的竞争,从而在民俗类中产生了良好的混合表演。这种研究方法通过观察和研究反复观察的视听文献,从歌唱事件中获取素材。这项研究采用了以表演为中心的方法,主要研究合唱团的表演。描述性分析是作为事件材料的结果而使用的,它依赖于仔细的描述。研究结果表明:一是演唱民歌曲目的合唱团具有混合表演的特点。第二,舞台表演的艺术要求与现实之间的关系是多维的。研究发现,从珊瑚环境的角度来看,对标准化进行了调整。第三,将表演实践理解为多维度的,并与艺术要求相结合,这表明一小部分被赋予了其他维度(动觉和视觉)。这些发现可以用来重新表述民歌的艺术要求,这需要更大的文化层面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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