La figure de l’artiste dans la littérature française ultra contemporaine : de l’analyse thématique vers le portrait de l’homme

IF 0.2 0 LITERATURE
Adriana Lastičová
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引用次数: 0

Abstract

The figure of the artist in French ultra-contemporary literature: From thematic analysis to the portrait of Man. This paper aims to contribute to the study of the figure of the artist through thematic analysis of several recent texts published in French. The author examines the main themes linked to the artist-protagonist, classifies them in hypernymic categories and shows that in the works of some contemporary French authors (Houellebecq, Grainville, Gailly, Le Guillou) the figure of the artist loses its romantic features, inherited from the artist novel of the nineteenth century and increasingly takes on anthropological dimensions to convey the values of the human quest. According to the author, hermeneutic interest in these works should consist in deciphering their full potential in terms of meaning beyond the surface of the artist novels.
超当代法国文学中的艺术家形象:从主题分析到人的肖像
法国超现代文学中的艺术家形象:从主题分析到人的肖像。本文旨在通过对最近出版的几篇法语文本的主题分析,为艺术家形象的研究做出贡献。作者考察了与艺术家主人公相关的主要主题,将其归类为超名称类别,并表明在一些当代法国作家(Houellebecq、Grainville、Gailly、Le Guillou)的作品中,艺术家的形象失去了浪漫的特征,继承自十九世纪的艺术家小说,并越来越多地采用人类学的维度来传达人类追求的价值观。作者认为,对这些作品的解释学兴趣应该在于从艺术家小说表面之外的意义上解读它们的全部潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Interlitteraria
Interlitteraria LITERATURE-
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20 weeks
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