{"title":"Anxieties of Influence: Recursion and Occlusion in Noel Pearson’s ‘Eulogy’ for Gough Whitlam","authors":"T. Clark","doi":"10.1080/20512856.2018.1499333","DOIUrl":null,"url":null,"abstract":"ABSTRACT Harold Bloom’s 1973 essay The Anxiety of Influence posits a poetics of ‘great poets’ who use and deny the prototype-poets and prototype-texts that influence them. Bloom’s understandings of poetic composition and reception offer a strikingly sympathetic account of much political discourse. This article focuses on the ‘Eulogy’ that Noel Pearson delivered at the funeral for Gough Whitlam in 2014, whose poetics were conspicuously informed by motives of emulation and of competitive distancing. That makes Pearson’s eulogy a particularly helpful case for testing the applicability of Bloom’s poetics in the political sphere. It also casts new light on the interrelationship between production and reception in the field of rhetoric – and, in so doing, on the importance of further research into rhetorical reception.","PeriodicalId":40530,"journal":{"name":"Journal of Language Literature and Culture","volume":"65 1","pages":"102 - 116"},"PeriodicalIF":0.1000,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20512856.2018.1499333","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Language Literature and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20512856.2018.1499333","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT Harold Bloom’s 1973 essay The Anxiety of Influence posits a poetics of ‘great poets’ who use and deny the prototype-poets and prototype-texts that influence them. Bloom’s understandings of poetic composition and reception offer a strikingly sympathetic account of much political discourse. This article focuses on the ‘Eulogy’ that Noel Pearson delivered at the funeral for Gough Whitlam in 2014, whose poetics were conspicuously informed by motives of emulation and of competitive distancing. That makes Pearson’s eulogy a particularly helpful case for testing the applicability of Bloom’s poetics in the political sphere. It also casts new light on the interrelationship between production and reception in the field of rhetoric – and, in so doing, on the importance of further research into rhetorical reception.
哈罗德·布鲁姆(Harold Bloom)1973年的文章《影响的焦虑》(The Anxiety of Influence)提出了一种“伟大诗人”的诗学,他们使用并否认原型诗人和影响他们的原型文本。布鲁姆对诗歌创作和接受的理解为许多政治话语提供了惊人的同情。这篇文章的重点是诺埃尔·皮尔森在2014年为高夫·惠特拉姆举行的葬礼上发表的“赞美诗”,惠特拉姆的诗学明显受到模仿和竞争距离动机的影响。这使得皮尔逊的颂词成为检验布鲁姆诗学在政治领域适用性的一个特别有用的案例。它还揭示了修辞领域中生产和接受之间的相互关系,以及进一步研究修辞接受的重要性。