Configuration of Subjectivities in Contemporaneity: Performance Writing about the Production of the Spanish-Mexican Artist Remedios Varo

Q4 Arts and Humanities
Edilberto Hernández González
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引用次数: 0

Abstract

Abstract This reflective work consists of performance writing about the production of the Spanish-Mexican artist Remedios Varo. Performance writing is an approach based on aesthetic cognition. It is a way of understanding knowledge that privileges the possibilities of a sensitive encounter with the world around us, and that understands life as a constant movement of the energy that is the breath of all beings and cosmic density. The encounter with Varo’s works has been constructed through conversation and analysis of two experiences, one in Nobsa, Colombia and the other in Mexico City. These experiences became the keys to accessing Varo’s and her artistic works’ highly creative, subjective universe made up of dynamic networks that interconnect some worlds with others. Varo’s works reflect the way in which contemporary subjectivities are configured, in how spaces and bodies comprise complex, dramatic and emotional universes.
当代性中的主体性配置:关于西班牙裔墨西哥艺术家雷麦黛丝·瓦罗作品的行为写作
摘要这部反思性作品包括关于西班牙-墨西哥艺术家雷梅迪奥斯·瓦罗作品的表演写作。表演写作是一种基于审美认知的写作方式。这是一种理解知识的方式,它赋予了我们与周围世界敏感接触的可能性,并将生命理解为能量的不断运动,即所有人的呼吸和宇宙密度。与瓦罗作品的相遇是通过对两次经历的对话和分析而构建的,一次在哥伦比亚的诺萨,另一次在墨西哥城。这些经历成为访问瓦罗和她的艺术作品的关键,这个高度创造性、主观的世界由将一些世界与其他世界互连的动态网络组成。瓦罗的作品反映了当代主体性的配置方式,空间和身体如何构成复杂、戏剧性和情感的宇宙。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
16
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