Feeling the field: Reflections on embodiment within improvised dance ethnography

IF 0.2 0 DANCE
Rose Martin
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引用次数: 1

Abstract

Abstract This article shares methodological meanderings that sit at the intersection of embodiment and improvised dance ethnography. Comprised of a series of personal reflections on fieldwork, the query of ‘how does ethnography feel for the researcher?' is explored. While questions pertaining to feelings researchers encounter in the field have been probed with some depth in existing literature, these are not always connected to how the feelings of the researcher are embodied at a somatic level. Through sharing two narratives of challenging moments I have confronted in fieldwork, ideas around notions of embodiment, performing and fear, and violence and vulnerability are illuminated. Through unpacking how improvisational ethnography plays out from an embodied place, from my lived experiences as a dance researcher, there is the potential for fostering a more fully developed somatic understanding of ethnographic dance research as a practice.
感受场域:即兴舞蹈民族志中体现的思考
摘要本文在体现与即兴舞蹈民族学的交叉点上分享了方法论上的曲折。由一系列关于田野调查的个人思考组成,“民族志对研究者来说感觉如何?”的问题。虽然在现有文献中已经深入探讨了与研究人员在该领域遇到的感受有关的问题,但这些问题并不总是与研究人员的感受如何体现在身体层面有关。通过分享我在田野工作中遇到的两个具有挑战性的时刻,围绕化身、表演和恐惧、暴力和脆弱的概念的想法被照亮了。从我作为一名舞蹈研究者的生活经历来看,通过揭示即兴民族志如何从一个具体的地方发挥作用,有可能促进对民族志舞蹈研究作为一种实践的更全面发展的躯体理解。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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