{"title":"Walking the Elephant: Drawing as enactment of community","authors":"Luise Vormittag","doi":"10.1093/migration/mnad012","DOIUrl":null,"url":null,"abstract":"\n The Elephant and Castle neighbourhood in London is well known as a centre for the Latin American community in the UK. The drastic demolition of the site threatens their continued presence. This article chronicles my work as an illustrator on a project that sought to represent this migrant community, their vibrancy, and vitality on the cusp of the site’s erasure. Through a series of participatory, creative workshops a range of illustrative documents were produced that, ultimately, became archival records. Working on the project enabled a reflection on the role of the illustrator in the context of cultural devastation, and retrieval and preservation of the relationship between migrants and the spaces they occupy. This gave rise to a deeper set of questions about the nature of community as such. Drawing on Jean-Luc Nancy’s philosophical work on community and Hannah Arendt’s writing on the public realm, I argue that this illustration project visualises and materialises experiences and expressions of community at a moment when this sociality was itself under threat.","PeriodicalId":46309,"journal":{"name":"Migration Studies","volume":" ","pages":""},"PeriodicalIF":2.2000,"publicationDate":"2023-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Migration Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1093/migration/mnad012","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"DEMOGRAPHY","Score":null,"Total":0}
引用次数: 1
Abstract
The Elephant and Castle neighbourhood in London is well known as a centre for the Latin American community in the UK. The drastic demolition of the site threatens their continued presence. This article chronicles my work as an illustrator on a project that sought to represent this migrant community, their vibrancy, and vitality on the cusp of the site’s erasure. Through a series of participatory, creative workshops a range of illustrative documents were produced that, ultimately, became archival records. Working on the project enabled a reflection on the role of the illustrator in the context of cultural devastation, and retrieval and preservation of the relationship between migrants and the spaces they occupy. This gave rise to a deeper set of questions about the nature of community as such. Drawing on Jean-Luc Nancy’s philosophical work on community and Hannah Arendt’s writing on the public realm, I argue that this illustration project visualises and materialises experiences and expressions of community at a moment when this sociality was itself under threat.
伦敦的大象城堡(Elephant and Castle)社区是英国著名的拉丁美洲社区中心。该遗址的大规模拆除威胁到他们的持续存在。这篇文章记录了我作为一名插画家在一个项目中的工作,该项目试图代表这个移民社区,他们的活力,以及网站被删除时的活力。通过一系列参与性、创造性的研讨会,制作了一系列说明性文件,最终成为档案记录。通过该项目的工作,可以反思插画师在文化破坏背景下的作用,以及恢复和保护移民与他们所占据的空间之间的关系。这引发了一系列关于社区性质的更深层次的问题。根据让-吕克·南希关于社区的哲学著作和汉娜·阿伦特关于公共领域的著作,我认为,在这种社会性本身受到威胁的时刻,这个插图项目将社区的经历和表达可视化并具体化。
期刊介绍:
Migration shapes human society and inspires ground-breaking research efforts across many different academic disciplines and policy areas. Migration Studies contributes to the consolidation of this field of scholarship, developing the core concepts that link different disciplinary perspectives on migration. To this end, the journal welcomes full-length articles, research notes, and reviews of books, films and other media from those working across the social sciences in all parts of the world. Priority is given to methodological, comparative and theoretical advances. The journal also publishes occasional special issues.