The Underside of Power (Algiers): On W/Hole people, missing masses and dispositions of politics in popular cinema

IF 0.2 0 FILM, RADIO, TELEVISION
Drehli Robnik
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引用次数: 0

Abstract

Abstract This article explores the relationships between popular film and politics of popular empowerment, especially in anti-colonial and anti-racist contexts. I am placing concepts from political theories in dialogic relationships with scenes from films. A basic tenet of this approach is that there is insight into movies, especially where orthodox scientific/philosophical discourses would not expect it (in genre cinemas, action film, horror movies, etc). So, my arguments are not made about films, but at their respective sites of insights. Conceptually, I take off first from the W/Hole of the people the popular as a totality necessarily haunted by incompleteness that figures in social struggles and dissensual film images; second, from the missing of masses as the people in an improper amount, a basic mistake in the counting of the social; and third, from dis-positions regarding power relations, also positionings on ‘sides’ (e.g., ‘undersides of power’) and on sites in social space, and dis-positioning in time, a.k.a. history.
权力的底层(阿尔及尔):关于W/Hole人、失踪的群众和大众电影中的政治倾向
摘要本文探讨了大众电影与大众赋权政治之间的关系,特别是在反殖民和反种族主义背景下。我将政治理论中的概念与电影中的场景置于对话关系中。这种方法的一个基本原则是对电影的洞察,特别是在正统的科学/哲学话语中(类型电影,动作电影,恐怖电影等)。所以,我的论点不是关于电影的,而是关于它们各自的见解。从概念上讲,我首先从大众的角度出发,大众作为一个整体,必然被社会斗争和不感性的电影图像中的不完整性所困扰;第二,从群众的缺失作为人民群众在数量上的不当,是社会计数的基本错误;第三,从关于权力关系的定位来看,也包括在“侧面”的定位(例如,“权力的底面”)和在社会空间中的位置,以及在时间上的错位,也就是历史。
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来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
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