Lolita in the #MeToo era. New interpretations of Nabokov’s novel by contemporary female authors

Q4 Arts and Humanities
P. V. Boyarkina
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引用次数: 0

Abstract

The article is devoted to ‘Nabokov’s imprint’ on several contemporary novels (K. E. Russell’s My Dark Vanessa, Lin Yi-Han’s Fang Si-Chi’s First Love Paradise, and V. Springora’s Consent: A Memoir of Stolen Adolescence) that revisit the story of Lolita and relate it on behalf of the underage girl sexually abused by her teacher or tutor. The author explores the poetics of the novels and their emergence from feminist discourse and particularly the campaign against sexual harassment and rape culture that started in 2017 using the hashtag #MeToo. Detailed in P. Boyarkina’s study is the image of an unreliable narrator, brilliantly exploited by Nabokov, who teases his reader by letting them decide on the trustworthiness of the narrator’s story and where the author’s view ends and the narrator’s version begins. Modern novels tend to complicate things even further: the unreliable narrator successfully manipulates both the reader and the female protagonist who tells the story of love and abuse.
#MeToo时代的洛丽塔。当代女作家对纳博科夫小说的新解读
这篇文章致力于“纳博科夫在当代几部小说中的印记”(K.E.Russell的《我的黑暗凡妮莎》、林一涵的《方的初恋天堂》和V.Springora的《同意:被偷走的青春回忆录》),这些小说重新审视了洛丽塔的故事,并代表一个被老师或导师性侵的未成年女孩讲述了这个故事。作者探讨了这些小说的诗学及其从女权主义话语中的出现,特别是2017年开始的反对性骚扰和强奸文化的运动,该运动使用了#MeToo标签。P.Boyarkina的研究中详细描述了一个不可靠的叙述者的形象,纳博科夫出色地利用了这个形象,他通过让读者决定叙述者故事的可信度,以及作者的观点在哪里结束,叙述者的版本在哪里开始,来挑逗读者。现代小说往往会使事情变得更加复杂:不可靠的叙事者成功地操纵了读者和女主人公,后者告诉了爱与虐待的故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Voprosy Literatury
Voprosy Literatury Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
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发文量
110
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