Towards an integrated science of aesthetics: Getting rid of the main misunderstandings in evolutionary aesthetics

Fragmentum Pub Date : 2019-09-15 DOI:10.5902/2179219439295
M. Portera
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引用次数: 1

Abstract

Evolutionary Aesthetics is a bourgeoning and thriving sub-field of Aesthetics, the main aim of which is “the importation of aesthetics into natural sciences, and especially its integration into the heuristic of Darwin’s evolutionary theory.” Notwithstanding the growing popularity in the past two decades, a look into the state of current research in Evolutionary Aesthetics suggests a significant degree of haziness in the field from both epistemological-methodological and theoretical points of view. The main aim of the present paper is to evaluate consistency and coherence of the Evolutionary Aesthetics’ research programme against the background of Boix Mansilla’s epistemic criteria for interdisciplinary research programmes, and to assess the potential of epigenetics and niche construction theory as two new promising research avenues in a revised, updated Evolutionary Aesthetics.
走向综合美学:摆脱进化美学的主要误解
进化美学是美学的一个蓬勃发展的子领域,其主要目标是“将美学引入自然科学,特别是将其融入达尔文进化论的启发式。”尽管在过去二十年中越来越受欢迎,从认识论方法论和理论的角度来看,进化美学的研究现状表明该领域存在很大程度的模糊性。本文的主要目的是在Boix Mansilla跨学科研究计划的认识标准的背景下,评估进化美学研究计划的一致性和连贯性,并评估表观遗传学和生态位构建理论作为修订、更新的进化美学中两种新的有前途的研究途径的潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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