Trauma e poeticità nella narrativa di Herta Müller

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
E. David
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引用次数: 0

Abstract

"Among the many ways in which Herta Müller engages in reconstructing historical memory in her prose is her extensive use of poetic devices. This article will focus on illustrating the role of words-images and the collage technique, in short, on the functioning of the visual medium, with its varied signifying potential, in conjunction with words, according to a logic in which the montage encapsulates a fragmentary, exploded, alienated identity. This study will therefore shed light on some central aspects of Herta Müller’s prose concerning the problematic layering of the characters’ consciousness. These are victims of the most lacerating historical traumas that marked the 20th century and they often appear within the frames of an autobiographical narrative that does not separate ethics from imagination, or the representation of the wounds of history from poeticism and fiction."
穆勒叙事中的创伤与诗意
赫塔·穆勒在她的散文中重建历史记忆的许多方式之一是她对诗歌手法的广泛使用。本文将重点阐述文字图像和拼贴技术的作用,简而言之,根据蒙太奇封装的逻辑,视觉媒介的功能及其与文字的各种象征潜力呈现出一种支离破碎、支离破碎、异化的身份。因此,本研究将揭示赫塔·米勒散文中关于人物意识分层问题的一些核心方面。这些人是20世纪最令人心碎的历史创伤的受害者,他们经常出现在自传叙事的框架内,这种叙事没有将伦理与想象分开,也没有将历史创伤的表现与诗意和小说分开。“
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来源期刊
Caietele Echinox
Caietele Echinox HUMANITIES, MULTIDISCIPLINARY-
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