Евгений Казарцев (Evgeny Kazartsev), Арина Давыдова (Arina Davydova)
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Abstract
This article studies the emergence and development of the iambic tetrameter in Ukrainian poetry. Its genesis and evolution are examined against the background of Russian metrical verse. The evolution of the Ukrainian iamb’s features is traced from 1761 to Taras Shevchenko. The main hypothesis of this study is that, despite a certain dependence on Russian models, the rhythm of Ukrainian verse develops independently: while the early forms of the Ukrainian tetrameter are closely connected with the poetic work of Mikhail Lomonosov and Alexander Sumarokov, afterward the originality of the Ukrainian iamb intensifies. The Ukrainian tetrameter represents a new evolutionary stage of European metrical versification, which is drifting further away from the continental prosodic canons.
期刊介绍：
Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures. Russian Literature regularly publishes special issues devoted to: • the historical avant-garde in Russian literature and in the other Slavic literatures • the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.
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