The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History

IF 0.8 4区化学 0 ARCHAEOLOGY

Studies in Conservation Pub Date : 2022-09-23 DOI:10.1080/00393630.2022.2118302

Steffi Bodechtel, Annegret Fuhrmann, Andreas Henning, O. Hahn, I. Rabin, Wolfgang Kreische, Michael Mäder

引用次数: 0

Abstract

ABSTRACT In an interdisciplinary collaboration, restorers, art historians, and scientists examined Guilio Romano’s The Madonna with the Wash-Basin of 1525 (Dresden State Art Collections). Insights into the painting technique along with art historical comparisons provided the opportunity for a better understanding of the painting’s genesis, in particular concerning an early reworking of the background by the artist. A recovery and reconstruction of the earlier version of the background is now possible. The discovery of zinc in distinct passages of the painting, as well as the grey-black pigment stibnite and glass particles used as a supplement in paint layers are of special interest. The technological investigation initiated a discussion about the circumstances of the revision, as well as the painting’s relation to Vasari’s Lives of Artists.

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朱利奥·罗曼诺的《带洗手盆的圣母》：绘画史的多学科研究

在一项跨学科的合作中，修复者、艺术史学家和科学家们对罗马诺1525年的《圣母与脸盆》(德累斯顿国家艺术收藏)进行了研究。对绘画技术的洞察以及艺术历史的比较为更好地理解绘画的起源提供了机会，特别是关于艺术家对背景的早期改造。现在可以恢复和重建早期版本的背景。在这幅画的不同段落中发现了锌，以及灰黑色颜料辉锑矿和用作颜料层补充的玻璃颗粒，这一点特别有趣。技术调查引发了关于修改情况的讨论，以及这幅画与瓦萨里的《艺术家的生活》的关系。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Studies in Conservation 化学-分析化学

CiteScore

1.80

自引率

12.50%

发文量

审稿时长

>12 weeks

期刊介绍： Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture. Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.