ATHENA'S MENTION OF ORESTES IN HOM. OD. 1.298–302

IF 0.1 4区历史学 0 CLASSICS

GREECE & ROME Pub Date : 2023-03-07 DOI:10.1017/S0017383522000250

Ruobing Xian

引用次数: 0

Abstract

This article focuses on the interrelationship between two events taking place simultaneously in Odysseus’ megaron: Phemius’ performance and the conversation between Telemachus and Athena. I argue that at Hom. Od. 1.298–302 Athena, in her mention of Orestes’ kleos, refers directly to Phemius’ song that Telemachus can hear from where he is sitting. This reading sheds new light on the characters’ receptions of Phemius’ song. Between the well-known contrasting responses of the nearest and the farthest audiences – the suitors’ silence and Penelope's over-reaction – stands Athena's cognitively constructive use of it, by which the goddess attempts to establish a shared understanding with Telemachus, whose kleos is one of the main concerns of her visit to Ithaca.

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阿瑟娜在HOM提到了ORESTES。OD。1.298–302

本文主要探讨奥德修斯的《米加隆》中同时发生的两件事之间的相互关系:菲米厄斯的表演和忒勒马科斯与雅典娜之间的对话。我在Hom提出了这个观点。奥德1.298-302雅典娜在提到俄瑞斯忒斯的歌时，直接指的是忒勒马科斯坐在那里就能听到的菲米斯的歌。这一解读揭示了人物对菲米斯之歌的看法。在最近和最远的观众众所周知的对比反应之间——求婚者的沉默和佩内洛普的过度反应——是雅典娜对它的认知建设性使用，女神试图与忒勒马科斯建立共同的理解，忒勒马科斯的克勒斯是她访问伊萨卡岛的主要关注点之一。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

GREECE & ROME CLASSICS-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Published with the wider audience in mind, Greece & Rome features informative and lucid articles on ancient history, art, archaeology, religion, philosophy, and the classical tradition. Although its content is of interest to professional scholars, undergraduates and general readers who wish to be kept informed of what scholars are currently thinking will find it engaging and accessible. All Greek and Latin quotations are translated. A subscription to Greece & Rome includes a supplement of New Surveys in the Classics. These supplements have covered a broad range of topics, from key figures like Homer and Virgil, to subjects such as Greek tragedy, thought and science, women, slavery, and Roman religion. The 2007 New Survey will be Comedy by Nick Lowe.