Publishing National Cultural Periodicals in Lithuania: A Reflection of Cultural Functions in 2000–2015

Q2 Arts and Humanities
Asta Urbanavičiūtė-Globienė
{"title":"Publishing National Cultural Periodicals in Lithuania: A Reflection of Cultural Functions in 2000–2015","authors":"Asta Urbanavičiūtė-Globienė","doi":"10.15388/knygotyra.2022.79.122","DOIUrl":null,"url":null,"abstract":"Cultural periodicals, as a specific part of the field of culture and publishing, can be studied in several directions: 1) by analysing the conceptual aspect of cultural periodicals, i.e., realisation of their cultural functions; 2) by taking into account the general models of publishing periodicals; 3) by analysing other aspects of publishing that are specific to cultural periodicals only, for example, the specific features of funding. \nThis article analyses how the cultural functions of national periodicals were realised in the context of the virtualisation of cultural periodicals in the period under research (in 2000–2015). (In this article, the virtualisation of cultural publications is understood as the transfer of cultural periodicals (magazines, newspapers) into the virtual space or their creation in that space (blogs, portals, social networks)). Cultural periodicals as a part of the cultural field were relevant in the period under research: 1. It is relevant to transmit and preserve cultural information (in this case, the communicative link between the cultural message and the cultural space and the lasting value of cultural texts); 2. To form new addressees to receive the cultural message (each publication brings together its own audience and thus complements the overall cultural field, thus attracting new readers by disseminating cultural information); 3. To actualise the message being sent through more diverse channels (the importance of internationality), to expand the possibilities of accessibility and availability of cultural texts; changes in the media (social networks, portals, websites) have created a broader, more modern and more diverse cultural field of communication. Between the years 2000 and 2015, media change gradually turned into a necessity. First of all, it was undertaken as a way to reach more readers. Due to the specific content, cultural publications were moderate in their approach to the changes in form during the period under analysis: to maintain a high-quality printed version was a priority to them. On the other hand, cultural publications, although not always willingly, began to recognize the importance of the Internet and to consider it as a platform for disseminating cultural information. This aspect became an important turning point in the publishing of cultural periodicals.","PeriodicalId":37220,"journal":{"name":"Knygotyra","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Knygotyra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15388/knygotyra.2022.79.122","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

Cultural periodicals, as a specific part of the field of culture and publishing, can be studied in several directions: 1) by analysing the conceptual aspect of cultural periodicals, i.e., realisation of their cultural functions; 2) by taking into account the general models of publishing periodicals; 3) by analysing other aspects of publishing that are specific to cultural periodicals only, for example, the specific features of funding. This article analyses how the cultural functions of national periodicals were realised in the context of the virtualisation of cultural periodicals in the period under research (in 2000–2015). (In this article, the virtualisation of cultural publications is understood as the transfer of cultural periodicals (magazines, newspapers) into the virtual space or their creation in that space (blogs, portals, social networks)). Cultural periodicals as a part of the cultural field were relevant in the period under research: 1. It is relevant to transmit and preserve cultural information (in this case, the communicative link between the cultural message and the cultural space and the lasting value of cultural texts); 2. To form new addressees to receive the cultural message (each publication brings together its own audience and thus complements the overall cultural field, thus attracting new readers by disseminating cultural information); 3. To actualise the message being sent through more diverse channels (the importance of internationality), to expand the possibilities of accessibility and availability of cultural texts; changes in the media (social networks, portals, websites) have created a broader, more modern and more diverse cultural field of communication. Between the years 2000 and 2015, media change gradually turned into a necessity. First of all, it was undertaken as a way to reach more readers. Due to the specific content, cultural publications were moderate in their approach to the changes in form during the period under analysis: to maintain a high-quality printed version was a priority to them. On the other hand, cultural publications, although not always willingly, began to recognize the importance of the Internet and to consider it as a platform for disseminating cultural information. This aspect became an important turning point in the publishing of cultural periodicals.
立陶宛民族文化期刊出版:2000-2015年文化功能的反映
文化期刊作为文化出版领域的一个特殊组成部分,可以从以下几个方面进行研究:1)分析文化期刊的概念方面,即其文化功能的实现;2)借鉴期刊出版的一般模式;3)分析文化期刊出版的其他方面,如经费的具体特点。本文分析了所研究时期(2000-2015年)在文化期刊虚拟化背景下,民族期刊的文化功能是如何实现的。(在本文中,文化出版物的虚拟化被理解为将文化期刊(杂志、报纸)转移到虚拟空间或在该空间(博客、门户网站、社交网络)中进行创作)。文化期刊作为文化领域的一部分,在研究时期具有相关性:1。与文化信息的传递和保存相关(在这种情况下,文化信息与文化空间之间的交流联系以及文化文本的持久价值);2. 形成接受文化信息的新受众(每份出版物汇集了自己的受众,从而补充了整个文化领域,从而通过传播文化信息吸引新的读者);3.实现通过更多样化的渠道传递信息(国际化的重要性),扩大文化文本的可及性和可用性的可能性;媒体(社交网络、门户网站、网站)的变化创造了一个更广泛、更现代、更多样化的传播文化领域。从2000年到2015年,媒介变革逐渐成为一种必然。首先,这是一种接触更多读者的方式。由于具体的内容,文化出版物在分析所涉期间对形式变化的处理是温和的:保持高质量的印刷版本是它们的优先事项。另一方面,文化出版物,虽然不总是愿意,开始认识到互联网的重要性,并认为它是一个传播文化信息的平台。这方面成为文化期刊出版的一个重要转折点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Knygotyra
Knygotyra Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
30 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信