Television professionals’ reflections on their practices while cooperating with amateur participants: A case study of three topical Finnish multiplatform shows

IF 0.4 0 FILM, RADIO, TELEVISION
Tiina Rautkorpi
{"title":"Television professionals’ reflections on their practices while cooperating with amateur participants: A case study of three topical Finnish multiplatform shows","authors":"Tiina Rautkorpi","doi":"10.1386/jptv_00018_1","DOIUrl":null,"url":null,"abstract":"This article investigates the professional identities of key members of the television production teams that cooperate with volunteer citizens. The data is derived from production ethnographies conducted during three Finnish reality and documentary productions over the 2015‐18\n period, which included reflective interviews with scriptwriter-directors, operating producers and a key cinematographer. In the productions utilizing volunteers as storytellers, the professionals focused on building multivocal television narration, which offered amateur presenters valuable\n opportunities to address the audience. In doing so, the professionals drew on their craft skills and gladly resorted to broad job descriptions and reciprocal teamwork. At the same time, they took the lead in planning the programme entirely and used production tools to control their communication\n with amateurs. However, in their reflections, the professionals also expressed uncertainty about many obstacles and tensions in selecting and encountering ordinary people. According to the activity theory, the television production staff’s professional development has to be built on\n the relevant strata of their current skills. The professionals’ identified interest in building multivocal content forms the basis for rejuvenating the entire production process towards co-creation, to take optimal advantage of the way regular citizens make sense.","PeriodicalId":41739,"journal":{"name":"Journal of Popular Television","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Popular Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jptv_00018_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

This article investigates the professional identities of key members of the television production teams that cooperate with volunteer citizens. The data is derived from production ethnographies conducted during three Finnish reality and documentary productions over the 2015‐18 period, which included reflective interviews with scriptwriter-directors, operating producers and a key cinematographer. In the productions utilizing volunteers as storytellers, the professionals focused on building multivocal television narration, which offered amateur presenters valuable opportunities to address the audience. In doing so, the professionals drew on their craft skills and gladly resorted to broad job descriptions and reciprocal teamwork. At the same time, they took the lead in planning the programme entirely and used production tools to control their communication with amateurs. However, in their reflections, the professionals also expressed uncertainty about many obstacles and tensions in selecting and encountering ordinary people. According to the activity theory, the television production staff’s professional development has to be built on the relevant strata of their current skills. The professionals’ identified interest in building multivocal content forms the basis for rejuvenating the entire production process towards co-creation, to take optimal advantage of the way regular citizens make sense.
电视专业人士在与业余参与者合作时对自己实践的反思:对芬兰三个主题多平台节目的个案研究
本文调查了与志愿者市民合作的电视制作团队主要成员的职业身份。数据来源于2015 - 18年期间三部芬兰现实和纪录片制作过程中的制作民族志,其中包括对编剧兼导演、运营制片人和一名主要电影摄影师的反思性采访。在使用志愿者作为故事讲述者的制作中,专业人员专注于建立多声电视叙事,这为业余主持人提供了向观众发表演讲的宝贵机会。在这样做的过程中,专业人士利用他们的工艺技能,并乐于求助于广泛的工作描述和互惠的团队合作。与此同时,他们带头全面策划节目,并使用制作工具控制与业余爱好者的交流。然而,在他们的反思中,专业人士也表达了对选择和遇到普通人的许多障碍和紧张的不确定性。根据活动理论,电视制作人员的专业发展必须建立在其现有技能的相关层次上。专业人士对构建多声音内容的兴趣形成了振兴整个生产过程的基础,朝着共同创造的方向发展,以最佳地利用普通公民的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Journal of Popular Television
Journal of Popular Television FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
14
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信