Between the Lines

Q1 Arts and Humanities
C. Moss
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引用次数: 1

Abstract

Recent scholarship on writing and literacy in the Roman world has been attentive to the role of enslaved literate workers in the production of texts. Yet when it comes to evaluating the potential contributions of enslaved laborers we find ourselves at an impasse. How can we identify changes that an enslaved writer might have introduced? How could we assume that any element of the text comes from a secretary rather than the slaveholding “author”? And if enslaved secretaries were at liberty to make changes to a text, how would we recognize these alterations? Utilizing the method of critical fabulation and revisions to a particular literary fragment (P. Berol. 11632) as a test-case, this article explores the range of collaborative possibilities that can account for textual revisions and asks what difference it might make to view such changes as the product of enslaved workers and their experience.
字里行间
最近关于罗马世界写作和读写能力的学术研究一直关注被奴役的识字工人在文本生产中的作用。然而,在评估被奴役劳工的潜在贡献时,我们发现自己陷入了僵局。我们如何识别一个被奴役的作家可能引入的变化?我们怎么能假设文本的任何元素来自秘书而不是奴隶主“作者”呢?如果受奴役的秘书可以自由地修改文本,我们如何识别这些修改?本文利用对特定文学片段(P. Berol. 11632)的批判性虚构和修订方法作为测试案例,探索了可以解释文本修订的合作可能性的范围,并询问将这些变化视为奴役工人及其经验的产物可能会产生什么不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in Late Antiquity
Studies in Late Antiquity Arts and Humanities-Classics
CiteScore
0.90
自引率
0.00%
发文量
11
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