Netflix’s effects on the Korean Wave: power relations between local cultural industries and global OTT platforms

IF 1.5 2区 文学 Q2 COMMUNICATION
D. Jin
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引用次数: 0

Abstract

ABSTRACT This article discusses how Netflix has influenced the local cultural industries in terms of the shift of cultural genres and the industry structure. By employing the convergence of critical political economy and sociocultural approach, it articulates whether Netflix has inroaded Korea due to the Korean Wave. It discusses whether local cultural industries firms change their norms in production to comply with Netflix's orientation and argues the ways in which the shift in the standard of cultural production has changed the cultural text in genres to determine whether global platforms arguably destroy local specificities and identities. Finally, it interrogates shifting power relationships between a global OTT platform and local players, including cultural creators and platform users, and its implications in the Korean cultural industries.
Netflix对韩流的影响:本土文化产业与全球OTT平台的权力关系
本文从文化类型转换和产业结构两个方面探讨了Netflix对本土文化产业的影响。通过批判的政治经济学和社会文化方法的融合,阐明了Netflix是否因为韩流而进入韩国。它讨论了当地文化产业公司是否改变了他们的生产规范,以遵守Netflix的方向,并论证了文化生产标准的转变改变了文化文本的方式,以确定全球平台是否可以说破坏了当地的特殊性和身份。最后,本文探讨了全球OTT平台与当地参与者(包括文化创作者和平台用户)之间不断变化的权力关系,及其对韩国文化产业的影响。
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来源期刊
CiteScore
3.70
自引率
0.00%
发文量
38
期刊介绍: Launched in 1990, Asian Journal of Communication (AJC) is a refereed international publication that provides a venue for high-quality communication scholarship with an Asian focus and perspectives from the region. We aim to highlight research on the systems and processes of communication in the Asia-Pacific region and among Asian communities around the world to a wide international audience. It publishes articles that report empirical studies, develop communication theory, and enhance research methodology. AJC is accepted by and listed in the Social Science Citation Index (SSCI) published by Clarivate Analytics. The journal is housed editorially at the Wee Kim Wee School of Communication and Information at Nanyang Technological University in Singapore, jointly with the Asian Media Information and Communication Centre (AMIC).
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