Presenze omeriche e oraziane negli Elegiarum libri quattuor di Jan Kochanowski. L’Iliade e i Carmina oraziani nell’elegia 3.7

Q1 Arts and Humanities
F. Cabras
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引用次数: 0

Abstract

Contrary to what critics have stated, the Polish poet Jan Kochanowski appears to be more interested in a direct imitation of the Homeric poems than an imitation of Latin poets such as Propertius or Ovid, who tried to “re‑write” Homer in their poems. This article discusses the connection between Kochanowski’s elegy 3.7 and Homer’s Iliad. It also shows how the imitation of Homer serves a specific purpose: by quoting Horace, Kochanowski reflects upon the ability poetry has to eternize its dedicatees. The Homeric heroes are still known thanks to Homer’s poems; Ossolinski, the dedicatee of the elegy, will be known forever thanks to Kochanowski’s verses.
荷马和Orasian存在于扬·科恰诺夫斯基的Elegiarum libri quatuor。挽歌3.7中的神谕伊利亚特和卡米纳
与评论家所说的相反,波兰诗人扬·科恰诺夫斯基似乎更感兴趣的是直接模仿荷马诗歌,而不是模仿普罗佩蒂乌斯或奥维德等拉丁诗人,后者试图在诗歌中“重写”荷马。本文论述了科恰诺夫斯基的挽歌3.7与荷马的《伊利亚特》之间的联系。它还展示了对荷马的模仿是如何达到特定目的的:通过引用贺拉斯的话,科恰诺夫斯基反思了诗歌确定其献身者的能力。荷马的英雄因荷马的诗歌而闻名;由于科恰诺夫斯基的诗句,这首挽歌的献给者奥索林斯基将永远为人所知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Humanistica Lovaniensia
Humanistica Lovaniensia Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
6
审稿时长
20 weeks
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