Penitence and Crusade in the Assumption Chapel of the Real Monasterio de Las Huelgas, Burgos

IF 0.1 Q3 HISTORY

Medieval Encounters Pub Date : 2021-02-11 DOI:10.1163/15700674-12340089

Jessica Renee Streit

引用次数: 0

Abstract

This study aims to interpret the visual qualities of the Assumption Chapel, located in the Cistercian monastery of Santa Maria La Real de Las Huelgas, Burgos. Rejecting the “mudejar” paradigm often used to explain the chapel’s connections to Andalusi architecture, the article instead considers its relationships to a group of twelfth- and thirteenth-century domed churches in Iberia and the French Pyrenees, as well as to Las Huelgas’s adjacent, late-Romanesque cloister. In so doing, it situates the Assumption Chapel in a broader context of monuments related to penitence and crusade in the Holy Land and Iberia. It also considers the chapel’s form and function in the light of Las Huelgas’s ritual topography. Most broadly, this study shows how seemingly incongruent visual languages—in this case Romanesque and Andalusi—can comprise a coherent program of imagery.

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布尔戈斯拉斯·韦尔加斯皇家修道院圣母升天礼拜堂中的忏悔和十字军东征

本研究旨在解读圣母升天礼拜堂的视觉品质，该礼拜堂位于布尔戈斯的圣玛利亚皇家拉斯韦尔加斯西多会修道院。这篇文章拒绝了经常用来解释小教堂与安达卢西亚建筑联系的“穆德贾”范式，而是考虑了它与伊比利亚和法国比利牛斯山脉的一组12世纪和13世纪的圆顶教堂，以及与拉斯·韦尔加斯相邻的晚期罗马式回廊的关系。通过这样做，它将圣母升天礼拜堂置于圣地和伊比利亚与忏悔和十字军东征有关的纪念碑的更广泛背景下。它还根据拉斯·韦尔加斯的仪式地形考虑了小教堂的形式和功能。最广泛地说，这项研究表明，看似不协调的视觉语言——在这种情况下是罗马式和安达卢西亚式——是如何构成一个连贯的图像程序的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Medieval Encounters Arts and Humanities-Religious Studies

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0.50

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期刊介绍： Medieval Encounters promotes discussion and dialogue accross cultural, linguistic and disciplinary boundaries on the interactions of Jewish, Christian and Muslim cultures during the period from the fourth through to the sixteenth century C.E. Culture is defined in its widest form to include art, all manner of history, languages, literature, medicine, music, philosophy, religion and science. The geographic limits of inquiry will be bounded only by the limits in which the traditions interacted. Confluence, too, will be construed in its widest form to permit exploration of more indirect interactions and influences and to permit examination of important subjects on a comparative basis.