Ta(l)king Back (to) the City—Fragments of Beirut and/in Me

IF 0.3 3区 文学 0 LITERATURE
Farah Aridi
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引用次数: 0

Abstract

ABSTRACT In Beirut, I struggle to write the city. I grew up amidst a raging civil war (1975-1990) and accompanied the city from one bout of violence to another. Having spent parts of my childhood either hiding from bombs or moving houses, I grew up claustrophobic, terrified of new spaces. My relationship with the city has always been one of constant negotiation and contestation: of my place and my body, of the allowed and the denied, of survival. I discovered that walking and writing Beirut are inseparable endeavours and practices: political and personal, embodied and poetic. But how would one write a city constantly displacing herself? Constantly violating her own terms? and how do you convince your body that being claustrophobic in open space defies the very definition of the term? In this piece, I write to understand, to reconcile with my body/city, to feel less confined. I write to try to find a holding centre in ruins.
国王回到贝鲁特的城市碎片和/在我
在贝鲁特,我努力书写这座城市。我在一场激烈的内战(1975-1990)中长大,伴随着这座城市经历了一轮又一轮的暴力冲突。我童年的一部分时间要么躲着炸弹,要么搬着房子,我长大后患有幽闭恐惧症,害怕新的空间。我与这座城市的关系一直是一种不断的谈判和争论:关于我的位置和我的身体,关于被允许和被拒绝,关于生存。我发现在贝鲁特散步和写作是不可分割的努力和实践:政治的和个人的,具象的和诗意的。但一个人该如何书写一个不断自我迁移的城市呢?不断违反自己的条款?你如何让你的身体相信在开放空间幽闭恐惧症违反了这个术语的定义?在这篇文章中,我写的是为了理解,为了与我的身体/城市和解,为了不那么受限制。我写信是想在废墟中找到一个收容中心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Life Writing
Life Writing LITERATURE-
CiteScore
0.80
自引率
25.00%
发文量
38
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