{"title":"The Court as Concert Hall: Music at the U.S. Supreme Court","authors":"James M. Doering, Lauren C. Bell","doi":"10.1017/S175219632300010X","DOIUrl":null,"url":null,"abstract":"Abstract The U.S. Supreme Court has for decades served as an unlikely venue for the performance of music. Between 1988 and 2020, more than 125 musicians, including some of the country's most prominent performers, appeared for intimate audiences in the Supreme Court's East Conference Room. The concerts were officially “off the record,” but details survive in records kept by the U.S. Supreme Court, papers of former justices and friends of the court involved in the creation of the programs, and in interviews with individuals who supported and participated in the events. This article reconstructs the history of this long running but little-known music series and contextualizes it within the court's culture and broader themes of access and power.","PeriodicalId":42557,"journal":{"name":"Journal of the Society for American Music","volume":"17 1","pages":"126 - 150"},"PeriodicalIF":0.2000,"publicationDate":"2023-03-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Society for American Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S175219632300010X","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The U.S. Supreme Court has for decades served as an unlikely venue for the performance of music. Between 1988 and 2020, more than 125 musicians, including some of the country's most prominent performers, appeared for intimate audiences in the Supreme Court's East Conference Room. The concerts were officially “off the record,” but details survive in records kept by the U.S. Supreme Court, papers of former justices and friends of the court involved in the creation of the programs, and in interviews with individuals who supported and participated in the events. This article reconstructs the history of this long running but little-known music series and contextualizes it within the court's culture and broader themes of access and power.