No Reading Aloud! Sound and Silence in Plato’s Socrates and Derrida’s Plato

IF 0.2 4区 文学 0 LITERARY THEORY & CRITICISM
Michael Naas
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引用次数: 0

Abstract

In ‘Reading and Its Discontents’, Anne Emmanuelle Berger makes a plea for the specificity of reading literature. Unlike other kinds of reading, the reading of literature has the unique ability to ‘keep the wound open’. As such, it can never be reduced, as some have recently tried, to just another form of culture production or to some politically motivated pedagogical therapeutics. It is also a type of reading, this essay will argue, that cannot be reduced to the kind of silent reading that, as Derrida demonstrated in ‘Plato’s Pharmacy’, has been the model and telos of reading since Plato. After a brief look at the controversy surrounding the history of silent reading, this essay looks at the question of reading in Plato and, especially, at the surprising number of references in the dialogues to Socrates as a reader. It then turns to Derrida’s reading of Plato in ‘Plato’s Pharmacy’, first to Derrida’s critique of the Platonic model of reading and writing in the dialogues and then to the deployment of a new kind of philosophical reading and writing in Derrida’s own work, a reading that, as Berger herself suggests, is always also a writing, a reading that is itself then always double, at once silent and aloud.
不要大声朗读!柏拉图的苏格拉底和德里达的柏拉图中的声音和寂静
在《阅读及其不满》一书中,安妮·艾曼纽尔·伯杰为阅读文学的特殊性提出了请求。与其他类型的阅读不同,文学阅读具有“保持伤口张开”的独特能力。因此,它永远不能像最近一些人所尝试的那样,被简化为另一种形式的文化生产或某种出于政治动机的教学疗法。这也是一种阅读,这篇文章会说,它不能被简化为一种无声的阅读,就像德里达在柏拉图的药学中所展示的那样,自柏拉图以来一直是阅读的模式和目的。在简要回顾了围绕默读历史的争议之后,这篇文章将着眼于柏拉图的阅读问题,尤其是在苏格拉底作为读者的对话中令人惊讶的大量引用。然后转向德里达在《柏拉图的药学》中对柏拉图的解读,首先是德里达在对话录中对柏拉图式的阅读和写作模式的批判,然后是德里达在自己的作品中对一种新的哲学阅读和写作的运用,这种阅读,正如伯杰自己所说,也是一种写作,这种阅读本身总是双重的,既沉默又大声。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
18
期刊介绍: Oxford Literary Review, founded in the 1970s, is Britain"s oldest journal of literary theory. It is concerned especially with the history and development of deconstructive thinking in all areas of intellectual, cultural and political life. In the past, Oxford Literary Review has published new work by Derrida, Blanchot, Barthes, Foucault, Lacoue-Labarthe, Nancy, Cixous and many others, and it continues to publish innovative and controversial work in the tradition and spirit of deconstruction. Planned issues include ‘Writing and Immortality’, "Word of War" and ‘Deconstruction and Environmentalism’.
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