Performances of Closeness and the Staging of Resistance with Mainstream Music

Abstract

Performances of closeness—showing one's uncovered face, physically touching others, rhythmic chanting combined with hand gestures, and collective singing and dancing—were central to pandemic-skeptical protests in Germany. This article shows that publicly performing such intercorporeal practices can become a political act when governments and health professionals promote physical distancing and mask mandates. Moreover, it analyzes how pandemic skeptics used both visual and auditive symbols of resistance against past dictatorships that are popular in Germany's dominant national narrative to legitimate their protest and stage “the people.” Protesters’ invocation of a new totalitarianism closely connects to fears revolving around the erosion of representative democracy in neoliberal times and the emergence of a digitalized world ruled by mega-corporations that is seen to be threatened by anonymity and isolation.