The Dislocation of the Empty Signifier Freedom as a Tool in Global Political Struggles: A Case Study on RT’s Mini-Series How to Watch the News

N. Carpentier
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引用次数: 3

Abstract

Freedom is approached in this article as an empty signifier and as an object of discursive struggle, from a discourse-theoretical perspective. The hegemonic centrality of freedom in Western discourse and identity construction is acknowledged, but at the same time the article argues that hegemony is never total and all-encompassing. In other words, hegemonic constructions are seen as always particular, with their universal claims displaying cracks and gaps. Especially when different discursive communities (e.g. the West and Russia) engage in global discursive struggles, these cracks become visible through dislocatory strategies. The second part of the article then addresses a case study about how this discursive struggle is organised in practice, focussing on the RT mini-series How to Watch the News, which prominently features Slavoj Žižek. The discourse-theoretical analysis demonstrates how the mini-series deconstructs the Western articulation of freedom, in three ways, namely by showing the failures of Western liberal democracies, and the divided nature of Western societies, and by critiquing the individualistic articulation of freedom. The article concludes by pointing to the ambiguities related to the centrality of freedom, the role of RT and the role of Žižek as public intellectual.
全球政治斗争工具“空的象征自由”的错位——以RT电视剧《如何看新闻》为例
本文从话语理论的角度,将自由视为一个空洞的能指和话语斗争的对象。自由在西方话语和身份建构中的霸权中心地位是公认的,但同时文章认为霸权从来都不是全面的。换言之,霸权结构总是被视为特殊的,其普遍主张显示出裂缝和差距。特别是当不同的话语群体(如西方和俄罗斯)参与全球话语斗争时,这些裂痕通过不忠策略变得显而易见。文章的第二部分介绍了这场话语斗争在实践中是如何组织的案例研究,重点是RT迷你剧《如何观看新闻》,该剧以斯拉沃吉泽克为主角。话语理论分析展示了迷你系列如何以三种方式解构西方对自由的表达,即通过展示西方自由民主的失败和西方社会的分裂本质,以及通过批评个人主义的自由表达。文章最后指出了与自由的中心地位、RT的作用和日泽克作为公共知识分子的作用有关的模糊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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