Ausencia de justicia e imposibilidad de reconciliación en el cine de postconflicto peruano

IF 0.1 Q4 ECONOMICS
James A. Dettleff
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引用次数: 0

Abstract

This paper focuses on how the absence of justice is represented in five Peruvian films produced after the internal armed conflict period. These representations contribute to cultural heritage preserving the memory of the events occurred during the last two decades of the 20th Century in Peru, fostering national reconciliation. To highlight the ways in which justice is represented and how the possibilities of reconciliation are addressed, a brief theoretical review of the concepts of cultural memory and forms of justice is presented. Qualitative methodology is used to analyse topics, scripts, and audio-visual language, complemented with interviews with filmmakers and personalities related to the armed conflict. The cinematographic discourses show coincidences regarding the injustice experienced during those years, which continues to these days.
秘鲁冲突后电影中缺乏正义与和解的不可能·全球之声
本文重点探讨了在国内武装冲突时期之后制作的五部秘鲁电影中,正义的缺失是如何表现的。这些代表有助于文化遗产保护对20世纪最后20年秘鲁发生的事件的记忆,促进民族和解。为了强调正义的表现方式以及如何处理和解的可能性,对文化记忆和正义形式的概念进行了简要的理论回顾。定性方法用于分析主题、剧本和视听语言,并辅以对与武装冲突有关的电影制作人和人物的采访。电影话语展示了关于那些年所经历的不公正的巧合,这种不公正一直持续到今天。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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