SCORCHED BY FIRE, DROWNED BY WATER, NO HEAVEN ON A CRACKED EARTH: ‘A LOOK’ AT DEEPA MEHTA’S WOMEN

Q2 Medicine
Synergy Pub Date : 2023-05-25 DOI:10.24818//syn/2023/19/1.06
Sridhar Rajeswaran
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引用次数: 0

Abstract

This article focuses only on Deepa Mehta’s importance as a film-maker of Indian diaspora now indwelling in Canada. This paper shall interlock with the films made between 1996 and 2008, i.e., Fire (1996), Earth (1998), Bollywood/Hollywood (2002), Water (2005), Heaven on Earth (2008). Needless to reiterate, that these five films, too, like the others in her oeuvre, have brought her many awards. Though it is imperative to look at the entire oeuvre of an artist, this selection is hoped to prove adequate for the defining purposes of this work, and would ‘throw’ glimpses that could enable others to construct the missing elements.
被火烧焦,被水淹没,破碎的地球上没有天堂:“看看”deepa mehta的女人
这篇文章只关注迪帕·梅塔作为一名旅居加拿大的印度侨民电影制作人的重要性。本文将与1996年至2008年间拍摄的电影联系起来,即《火》(1996)、《地球》(1998)、《宝莱坞/好莱坞》(2002)、《水》(2005)、《人间天堂》(2008)。不用重申,这五部电影也和她作品中的其他电影一样,为她带来了许多奖项。尽管必须审视一位艺术家的全部作品,但这一选择有望证明足以满足这件作品的定义目的,并将“带来”一瞥,使其他人能够构建缺失的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Synergy
Synergy Medicine-Medicine (miscellaneous)
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