Senses, experiences, emotions, memories: artificial intelligence as a design instead of for a design in contemporary Japan

IF 2.1 Q2 CONSTRUCTION & BUILDING TECHNOLOGY
Danyal Ahmed
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引用次数: 11

Abstract

ABSTRACT This paper approaches the technology of artificial intelligence (hereinafter AI) as a design-based praxis emerging from the domain of arts and humanities. The problematic of AI as a design instead of for a design has been approached through the stages of ephemeral interactive and immersive media installations and their permanent physicalizations as in media museums. Through some forty-eight interactive and immersive media installations that exemplify the physicalization of immaterial humanistic characteristics of senses, experiences, emotions and memories, and by studying their permanent physicalized hybridizations as in media museums, this paper attempts to build a pioneering case that AI can also be exploited as a design instead of its traditional image of for a design. The inclusion of Japanese perspectives in this case acts as a reminder of particular design traits resulting in the enrichment of this study instead of as being a discriminative indicator.
感官、体验、情感、记忆:人工智能作为一种设计,而不是当代日本的设计
摘要本文探讨了人工智能技术(以下简称人工智能)作为一种新兴于艺术和人文领域的基于设计的实践。人工智能作为一种设计而不是一种设计的问题已经通过短暂的互动和沉浸式媒体装置的阶段以及它们在媒体博物馆中的永久物理化来解决。通过大约四十八个互动和沉浸式媒体装置,这些装置体现了感官、体验、情感和记忆的非物质人文特征的物理化,并通过研究它们在媒体博物馆中的永久物理化混合,本文试图建立一个开创性的案例,即人工智能也可以被用作设计,而不是其传统的设计形象。在这种情况下,日本视角的加入提醒了我们特定的设计特征,从而丰富了这项研究,而不是一个歧视性的指标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Intelligent Buildings International
Intelligent Buildings International CONSTRUCTION & BUILDING TECHNOLOGY-
CiteScore
4.60
自引率
4.30%
发文量
8
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