Exhibition as Art Historical Space: The 1933 Chinese Art Exhibition in Paris

IF 0.4 1区艺术学 0 ART

ART BULLETIN Pub Date : 2021-07-03 DOI:10.1080/00043079.2021.1882808

Stephanie Su

引用次数: 0

Abstract

Abstract The 1933 Chinese Art Exhibition in Paris, the first large-scale Chinese art show in France, played a critical role in establishing the category of “modern Chinese painting” in early twentieth-century Europe. Close visual and textual analysis reveals three factors that shaped the exhibition: the shifting international politics between France, Japan, and China; the complex social network among Chinese artists; and the personal vision and aspiration of the exhibition’s curator. It was through the interaction and competition among different agents and institutions that the category of modern Chinese painting was created.

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作为艺术历史空间的展览:1933年巴黎中国艺术展

1933年巴黎中国美术展是法国第一次大型的中国美术展，它对20世纪初欧洲“现代中国画”范畴的确立起到了至关重要的作用。近距离的视觉和文本分析揭示了塑造此次展览的三个因素：法国、日本和中国之间不断变化的国际政治；中国艺术家之间复杂的社交网络；以及展览策展人的个人愿景和抱负。正是通过不同的代理人和机构之间的互动和竞争，才创造了中国现代绘画的范畴。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

ART BULLETIN ART-

CiteScore

0.70

自引率

28.60%

发文量

期刊介绍： The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December