The Appearance of Hans and Jaan. A 17th Century Epitaph Painting Donated by Estonian Peasants

IF 0.1 0 ART
Merike Kurisoo, A. Põldvee
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引用次数: 0

Abstract

The epitaph donated by Hans and Jaan, two peasants from Turi parish, is evidence of the acceptance of ecclesiastic values and religious devotion among the Estonian peasantry. Other examples of this tendency from the Swedish era also exist. For instance, the grand wheel crosses, typical for North Estonia, that were once located in the Turi churchyard; and a chandelier (1659) donated by a peasant in the Keila church, the size of which exceeds those gifted by manor lords. From a later period, the stained-glass coats of arms of the peasantry in the Ilumae chapel (1729) are also an example of this heightened sense of self-awareness and its display in houses of worships. Along with the hundreds and hundreds of works donated to churches by nobles, the epitaph painting depicting the Adoration of the Shepherds is a rare example of a painting gifted to a church by farmers, which also commemorates them. Hans and Jaan have now earned a place in Estonian (art) history: the pictures of the two simple men are the first known portraits of peasants whose names we know.
汉斯和简的出现。爱沙尼亚农民捐赠的一幅17世纪墓志铭画
Turi教区的两位农民Hans和Jaan捐赠的墓志铭证明了爱沙尼亚农民对教会价值观的接受和对宗教的虔诚。这种趋势在瑞典时代的其他例子也存在。例如,大转轮十字架,典型的北爱沙尼亚,曾经位于图里教堂墓地;还有一盏由Keila教堂一位农民捐赠的枝形吊灯(1659年),其大小超过了庄园领主赠送的吊灯。从后来的时期来看,伊卢梅教堂(1729年)中农民的彩绘玻璃纹章也是这种高度自我意识的一个例子,并在礼拜场所中展示。与贵族们捐赠给教堂的成百上千幅作品一样,这幅描绘牧羊人崇拜的墓志铭画是农民们捐赠给教堂的罕见的画作,也是为了纪念他们。汉斯和扬现在在爱沙尼亚艺术史上赢得了一席之地:这两个人的照片是我们所知道的最早的农民肖像。
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来源期刊
CiteScore
0.20
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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