A repentant sinner: representing the self in Nikephoros Ouranos’ catanyctic alphabet

IF 0.3 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

BYZANTINE AND MODERN GREEK STUDIES Pub Date : 2022-07-26 DOI:10.1017/byz.2022.9

Cristina Cocola

引用次数: 0

Abstract

For Byzantines, catanyctic poetry offered a rich source of models for self-representation. In this paper I analyse the poetic strategies and literary motifs through which Nikephoros Ouranos (tenth–eleventh century) shaped the self in his catanyctic alphabet. In particular, I will focus on the intertextual strategies employed by Ouranos in order to model the catanyctic self, such as the identification with scriptural sinners, and the presence of biblical metaphors.

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悔过自新的罪人：用Nikephoros Ouranos的catanyotic字母表代表自我

对于拜占庭人来说，祈福诗为自我表现提供了丰富的模式来源。在本文中，我分析了尼科弗罗斯·乌拉诺斯(Nikephoros Ouranos)(10 - 11世纪)在他的catanytic字母表中塑造自我的诗歌策略和文学母旨。特别地，我将聚焦于乌拉诺斯为了塑造隐喻自我而采用的互文策略，比如对圣经罪人的认同，以及圣经隐喻的存在。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

BYZANTINE AND MODERN GREEK STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

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0.00%

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期刊介绍： Byzantine and Modern Greek Studies is an internationally recognised, peer-reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published twice a year in spring and autumn, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of Byzantine and Modern Greek scholarship, whether historical, literary or social-anthropological. It welcomes research, criticism, contributions on theory and method in the form of articles, critical studies and short notes.