Spreading Through the Streets: The COVID-19 Street Art Database

IF 0.4 3区 社会学 0 FOLKLORE
David Todd Lawrence, Heather Shirey
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引用次数: 0

Abstract

Abstract:The COVID-19 Street Art Database is a crowdsourced collection of more than five hundred individual records containing images of street art, including stickers, tags, light projections, murals—all manner of artistic expression in the streets, in public space, written on or affixed to the built environment. This is more than an archive of visual expression; it is an archive of vernacular communicative acts, communication in process, expressing the concerns and emotions of cultural groups—especially as expressed by those who do not see themselves as part of the power structure. An exploration of this collection of images reveals that street art can address the fears and confusion surrounding all that accompanies a pandemic like COVID-19. Like verbal vernacular narrative forms, we argue that street art can make external our cultural responses to the experience of crisis. It can connect people to each other during extended periods of isolation such as quarantine, offer alternative narratives regarding relations of power and previously existing conditions of oppression and exploitation, comment on the nature of public space, and indeed multiply the impact of all these messages as well as pertinent advice and direction about safety and health—especially in a moment when in-person contact around the world has been curtailed.
通过街道传播:新冠肺炎街头艺术数据库
摘要:新冠肺炎街头艺术数据库是一个众包收集的500多个个人记录,其中包含街头艺术的图像,包括贴纸、标签、光投影、壁画——街道、公共空间、建筑环境上书写或粘贴的所有艺术表达方式。这不仅仅是一个视觉表达的档案;它是一个白话文交流行为、过程中的交流、表达文化群体关切和情感的档案,尤其是那些不认为自己是权力结构一部分的人所表达的关切和情感。对这组图像的探索表明,街头艺术可以解决围绕新冠肺炎等大流行的恐惧和困惑。与口头白话叙事形式一样,我们认为街头艺术可以使我们的文化对危机的经历做出外部反应。它可以在隔离等长期隔离期间将人们彼此联系起来,提供关于权力关系和先前存在的压迫和剥削条件的替代叙事,评论公共空间的性质,事实上,所有这些信息以及有关安全和健康的相关建议和指导的影响成倍增加——尤其是在世界各地的面对面接触减少的时刻。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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