{"title":"Contrato e identidad de sujetos infieles en Deseando amar, de Wong Kar-Wai","authors":"J. A. P. Flórez","doi":"10.14483/22486798.14651","DOIUrl":null,"url":null,"abstract":"espanolEl presente articulo estudia, a partir de metodos y teorias de la semiotica, los contratos que los actores principales del filme Deseando amar, de Wong Kar-Wai, estipulan en pro de la identidad de sus conyuges (personajes que mantienen entre si una relacion pasional clandestina). A partir del momento catastrofico, el objetivo de los acuerdos tiende a la comprension del origen de la infidelidad; en otras palabras, los sujetos protagonistas emprenden un programa narrativo con un fin semiosico y, para ello, simulan ser y hacer como los sujetos infieles. El analisis figurativo, narrativo y axiologico, que surge del metodo de la Escuela Semiotica de Paris, da cuenta de como los objetivos de la relacion contractual se logran mas por sentir que por ser y hacer como los otros. De esta manera, se concluye, en primera instancia, que la interpretacion identitaria del alter conlleva la comprension identitaria del ego, y, en segundo lugar, que el ocultamiento de la infidelidad se configura como la salida a la sancion social negativa. EnglishThis article studies the agreements made by the main characters in the movie In the Mood for Love by Wong Kar-Wai in favour tities (who have a secret love affair), based on semiotic methods and theories. After the catastrophic events of the film, the agreements try to understand the origin of infidelity. In other words, the leading characters undertake a narrative programme with a semiosic objective, and to that end, they pretend to be and act like their unfaithful spouses. The figurative, narrative and axiological analysis that arises from the Paris School of Semiotics method explains how the objectives of the contractual relationship are better achieved for what they feel rather than by what the others are and do. It can therefore be concluded that, first, the identity interpretation of the alter gives rise to the identity understanding of the ego. Second, concealing infidelity takes the form of a way out of negative social sanctions.","PeriodicalId":51972,"journal":{"name":"Enunciacion","volume":"24 1","pages":"277-287"},"PeriodicalIF":0.3000,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Enunciacion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14483/22486798.14651","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 0
Abstract
espanolEl presente articulo estudia, a partir de metodos y teorias de la semiotica, los contratos que los actores principales del filme Deseando amar, de Wong Kar-Wai, estipulan en pro de la identidad de sus conyuges (personajes que mantienen entre si una relacion pasional clandestina). A partir del momento catastrofico, el objetivo de los acuerdos tiende a la comprension del origen de la infidelidad; en otras palabras, los sujetos protagonistas emprenden un programa narrativo con un fin semiosico y, para ello, simulan ser y hacer como los sujetos infieles. El analisis figurativo, narrativo y axiologico, que surge del metodo de la Escuela Semiotica de Paris, da cuenta de como los objetivos de la relacion contractual se logran mas por sentir que por ser y hacer como los otros. De esta manera, se concluye, en primera instancia, que la interpretacion identitaria del alter conlleva la comprension identitaria del ego, y, en segundo lugar, que el ocultamiento de la infidelidad se configura como la salida a la sancion social negativa. EnglishThis article studies the agreements made by the main characters in the movie In the Mood for Love by Wong Kar-Wai in favour tities (who have a secret love affair), based on semiotic methods and theories. After the catastrophic events of the film, the agreements try to understand the origin of infidelity. In other words, the leading characters undertake a narrative programme with a semiosic objective, and to that end, they pretend to be and act like their unfaithful spouses. The figurative, narrative and axiological analysis that arises from the Paris School of Semiotics method explains how the objectives of the contractual relationship are better achieved for what they feel rather than by what the others are and do. It can therefore be concluded that, first, the identity interpretation of the alter gives rise to the identity understanding of the ego. Second, concealing infidelity takes the form of a way out of negative social sanctions.