The performing interpretation of a musical work on the example of ukrainian composers-bayanists

А. Dushniy, Valeriy Shafeta, V. Zaets, Galyna Oleksiv, Sergiy Karas
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Abstract

The article explores the elements of interpretation of music by accordionist composers. The peculiarity arises the consideration of the development of accordion art in the period of total change of constants of the socio-cultural environment in the time of independence of Ukraine. In the conditions of two powerful tendencies in the development of modern world music: globalization and identification, the factors that influenced the creativity of Ukrainian accordionist composers were formed. Guided by powerful folklore traditions and access to musical information through the latest technology, the Ukrainian accordionists have formed not only the quantitative indicators of the interpreted works, but also were able to form the qualitative components of their creativity in the form of effective functioning of musical accordion schools. The interpretation of folklore, classical and contemporary music in the performance of accordionists have become a real treasure of Ukrainian culture. Correspondents and the young generation of Ukrainian composers-accordionists rightly deserve positive feedback and numerous admirers of their work.
以乌克兰作曲家巴扬主义者为例的音乐作品的表演诠释
本文探讨了手风琴作曲家诠释音乐的要素。这种特殊性是对乌克兰独立时期社会文化环境常数全面变化时期手风琴艺术发展的考虑。在现代世界音乐发展的两大强大趋势:全球化和认同的条件下,影响乌克兰手风琴作曲家创造力的因素形成了。在强大的民间传说传统和通过最新技术获取音乐信息的指导下,乌克兰手风琴演奏家不仅形成了解释作品的定量指标,而且能够以音乐手风琴学校有效运作的形式形成其创造力的定性组成部分。在手风琴演奏中对民间传说、古典和当代音乐的诠释已成为乌克兰文化的真正瑰宝。通讯员和年轻一代的乌克兰作曲家——手风琴家理应得到积极的反馈和众多的崇拜者。
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来源期刊
Laplage em Revista
Laplage em Revista EDUCATION & EDUCATIONAL RESEARCH-
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