Tussen informatie en ideologie

Q3 Arts and Humanities
Heinz Eickmans
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引用次数: 0

Abstract

In the so-called ‘Leseland DDR’ anthologies of foreign literature played an exceptionally important part in making available foreign texts and in disclosing new literary worlds to the GDR reading public. Moreover, these anthologies could function as a proving ground for introducing new authors and literary schools without censorial objection. The anthologies contain peritexts by the publisher or editor – mainly blurbs and afterwords – that focus on the representative and innovative character of the texts and inform about the selection of authors, the general themes and content, the aesthetic quality and – in case of anthologies from western countries – provide critical remarks on the condemnable developments in capitalist societies. In this article I investigate and compare four GDR anthologies of literature from the Netherlands and Flanders, all published between 1976 and 1984. This will make clear that the ideological comments after the cultural and political ‘Wende’ in the GDR at the beginning of the seventies can no longer be considered obligatory bows for the censorial authorities.
在信息和意识形态之间
在所谓的“Leseland DDR”中,外国文学选集在提供外国文本和向德意志民主共和国读者展示新的文学世界方面发挥了极其重要的作用。此外,这些选集可以作为一个试验场,在没有审查反对的情况下介绍新的作者和文学流派。这些选集包含出版商或编辑的评论——主要是导语和后记——重点是文本的代表性和创新性,并告知作者的选择,一般主题和内容,美学质量,在西方国家的选集的情况下,对资本主义社会中应受谴责的发展提供批评性评论。在这篇文章中,我调查和比较了四本来自荷兰和佛兰德斯的民主德国文学选集,它们都是在1976年到1984年之间出版的。这将清楚地表明,在70年代初民主德国的文化和政治“文德”之后的意识形态评论不能再被视为审查当局的强制性鞠躬。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Internationale Neerlandistiek
Internationale Neerlandistiek Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
30 weeks
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