Wang Mansheng

IF 0.1 Q4 Arts and Humanities
Mai Mang
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Abstract

Poet-critic and art curator Mai Mang organized the exhibition Wang Mansheng: From Silk Road to Hudson River at Connecticut College in early 2020. It presents Chinese artist Wang Mansheng’s journey over the past thirty years finding his roots and searching for new origins across two continents: from the Silk Road where he first felt inspired by traditional literati art as well as Buddhist art to the Hudson River Valley where he has resided since 1998 and has explored new themes such as freedom and the use of the “useless” through new mediums. More importantly, this exhibition also gives us an opportunity to delve into some of the fascinating dilemmas with which Wang has wrestled along the journey of his growth and evolution as an artist. Ultimately, Wang proclaims a quiet yet persistent stance of carving out an independent space for himself and his art, transcending contemporary chaos and strife.
王Mansheng
诗人评论家兼艺术策展人麦芒于2020年初在康涅狄格学院组织了展览《王曼生:从丝绸之路到哈德逊河》。它展示了中国艺术家王曼生三十年来跨越两大洲寻找根和新起源的历程:从他最初感受到传统文人艺术和佛教艺术启发的丝绸之路,到他自1998年以来居住的哈德逊河谷,他通过新的艺术探索了自由和“无用”的使用等新主题介质。更重要的是,这次展览也让我们有机会深入探讨王作为一名艺术家在成长和进化过程中所面临的一些令人着迷的困境。最终,王宣布了一个安静而持久的立场,为自己和他的艺术开辟一个独立的空间,超越当代的混乱和冲突。
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