Authors of everyday life. Towards learning with literary learner texts in English language education

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
D. Becker, Frauke Matz
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引用次数: 0

Abstract

In the digital realm of the 21st century, the production and distribution of literature has changed drastically; writing literary texts is no longer a privilege of professional authors and publishers but has transformed into a participatory practice, with non-professional writers sharing their own literary narratives via social media platforms. This digital practice has become particularly relevant among teenagers and young adults as they increasingly use the opportunity of producing and sharing their own literary texts as a means of negotiating their identities and the social environments around them. Literature, thus, enables teenagers to participate in society by voicing their own personal and social concerns. Given their value in the context of engaging in these meaning-making processes on the one hand, and the role and importance of English as one of the lingua francas in digital realms on the other, these digital literary practices also need to be reflected in contemporary English language education (ELE). However, this hardly seems to be the case so far. Although literary texts still play a very prominent role, particularly in English as a foreign language (EFL) classrooms in Germany, current approaches to learning with literature still appear to perceive learners as recipients of professional literary texts, while production-oriented perspectives on teenagers as authors of their everyday lives, which go beyond post-reading creative tasks, seem to hold a most marginal position. Thus, digital texts written by learners (i.e., literary learner texts) are hardly considered as source texts. This theoretical contribution argues that contemporary practices of learning with literature need to be complemented by also focusing on literary works created by learners on multiple levels of classroom action. Drawing on interdisciplinary concepts, it explores the relevance of this focus in detail and makes first suggestions for framing literature classrooms based on literary learner texts.
日常生活的作者。文学学习者文本学习在英语教学中的应用
在21世纪的数字领域,文学的生产和传播发生了巨大的变化;撰写文学文本不再是专业作家和出版商的特权,而是转变为一种参与性实践,非专业作家通过社交媒体平台分享自己的文学叙事。这种数字实践在青少年和年轻人中变得尤为重要,因为他们越来越多地利用制作和分享自己的文学文本的机会来协商自己的身份和周围的社会环境。因此,文学使青少年能够通过表达自己的个人和社会关切来参与社会。一方面,考虑到它们在参与这些意义形成过程中的价值,另一方面,鉴于英语作为数字领域通用语言之一的作用和重要性,这些数字文学实践也需要反映在当代英语教育中。然而,到目前为止,情况似乎并非如此。尽管文学文本仍然发挥着非常突出的作用,特别是在德国的英语课堂上,但目前的文学学习方法似乎仍然将学习者视为专业文学文本的接受者,而以生产为导向的视角将青少年视为日常生活的作者,这超出了阅读后的创造性任务,似乎处于最边缘的地位。因此,学习者编写的数字文本(即文学学习者文本)很难被视为源文本。这一理论贡献认为,当代文学学习实践需要通过关注学习者在多个课堂行动层面上创作的文学作品来补充。它借鉴跨学科的概念,详细探讨了这一关注点的相关性,并首次提出了基于文学学习者文本构建文学课堂的建议。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
7
期刊介绍: The journal’s main purpose is to demonstrate and celebrate the diversity of English and American Studies, providing a medium for its different branches, especially in the Central European academic context (but not restricted to it). Topics thus range from literary studies to linguistics, from theoretical to applied, from text-focused to culturally-oriented, from novel to film, from textual to contextual, from England to Australia and from the USA to South Africa.
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