“You Can’t Stop Picturing that Beautiful Handset”: The Found Phone Trope in Twenty-First-Century Media

IF 0.2 3区 文学 0 LITERARY THEORY & CRITICISM
Vicky Brewster
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Abstract

Horace Walpole’s Castle of Otranto, popularly held to be the first gothic text, also offers one of the first examples of the found document trope, the story revolving around a manuscript that, within its own fiction, is claimed to be an “authentic” document from the twelfth century. Since then, this trope has been enthusiastically reimagined in cinema as “found footage.” Although found footage has a rich history stretching back to silent cinema, Alexandra HellerNicholas credits its modern beginning with The Blair Witch Project (loc. 105), which Adam Daniel also acknowledges as “ignit[ing] the rebirth” of the found footage subgenre (39). Found footage films continued into the twenty-first century with the Paranormal Activity franchise, Cloverfield, and many others. The “found” trope has once again transformed in the twenty-first century into what might be termed “found phone.” Many of the devices that rule twenty-first-century life in heavily technologized societies—laptops, tablets, smartwatches, smart house devices, and so on—have become inextricable from our personal identities. Lindsay Hallam notes that “[o]ur identity and sense of self, and certainly our fears, are now bound to the digital realm” (117), while Steen Christiansen agrees that “human subjectivities are dispersed across media technologies, entangling the sense of self with those same technologies” (43). If, as Adam Hart argues, “our ghosts take on the forms and qualities of our media” (3), then it only makes sense that as society has become more dependent on the smartphone, it would serve as the perfect talisman for contemporary gothic haunting. The phone’s portability compared with other devices means that it can be easily carried in a pocket or purse, and one seldom leaves the house without one’s phone; this cannot be said of the majority of the other devices. A phone app is necessary in order to set up smart home products such as the Amazon Echo, and many apps and sites, like banking apps, PayPal, and Steam, require text message or two-factor phone verification in order to log in or carry out transactions. The phone not only holds the most personal information about an individual, but it also acts as a sort of extension of that individual. Furthermore, the extent to which the smartphone has
“你无法停止想象那美丽的手机”:21世纪媒体发现的手机奖杯
霍勒斯·沃波尔(Horace Walpole)的《奥特兰托城堡》(Castle of Otranto)被普遍认为是第一部哥特式文本,它也提供了最早发现的文献比喻的例子之一,这个故事围绕着一份手稿展开,在其小说中,该手稿被称为十二世纪的“真实”文献。从那时起,这个比喻在电影中被热情地重新想象为“发现的镜头”。尽管发现的镜头有着丰富的历史,可以追溯到无声电影,但亚历山德拉·海勒·尼古拉斯将其现代开端归功于布莱尔女巫计划(loc.105),亚当·丹尼尔也承认这是发现的镜头子类别的“重生”(39)。发现的镜头电影一直延续到21世纪,包括《超自然活动》系列、《克洛弗菲尔德》和其他许多电影。在21世纪,“发现”的比喻再次转变为所谓的“发现的手机”。在高度技术化的社会中,统治21世纪生活的许多设备——笔记本电脑、平板电脑、智能手表、智能家居设备等等——已经与我们的个人身份密不可分。Lindsay Hallam指出,“我们的身份和自我意识,当然还有我们的恐惧,现在都与数字领域绑定在一起了”(117),而Steen Christiansen也同意“人类的主观能动性分散在媒体技术中,将自我意识与这些技术纠缠在一起”(43)。如果像亚当·哈特(Adam Hart)所说的那样,“我们的鬼魂呈现出我们媒体的形式和品质”(3),那么随着社会越来越依赖智能手机,它将成为当代哥特式萦绕心头的完美护身符,这才是有意义的。与其他设备相比,手机的便携性意味着它可以很容易地放在口袋或钱包里,而且很少离开家时不带手机;这对于大多数其他设备来说是不可能的。为了安装亚马逊Echo等智能家居产品,手机应用程序是必要的,许多应用程序和网站,如银行应用程序、PayPal和Steam,都需要短信或双因素手机验证才能登录或进行交易。手机不仅保存着个人最私人的信息,而且还是个人的一种延伸。此外,智能手机的
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来源期刊
LIT-Literature Interpretation Theory
LIT-Literature Interpretation Theory LITERARY THEORY & CRITICISM-
CiteScore
0.40
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9
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