{"title":"Democratising Monograph Publishing or Preying on Researchers? Scholarly Recognition and Global ‘Credibility Economies’","authors":"David Mills, N. Robinson","doi":"10.1080/09505431.2021.2005562","DOIUrl":null,"url":null,"abstract":"ABSTRACT As the global university sector continues to expand, ever more academic work is being published, including growing numbers of academic monographs. Digital technologies open up opportunities for publishers to reach new academic communities. Drawing on interviews with authors and publishers, case-studies of two companies - Lambert Academic Publishing (Lambert) and Cambridge Scholars Publishing (CSP) - interrogate their inclusive, author-centred visions. Conceptualisations of academic ‘credibility economies' strain to account for the different rationales academics have for publishing their work across a fragmented and multipolar global research system. Work has tended to focus on researchers' strategies for accumulating and managing credibility, rather than the structural blockages to, and the geographical constraints on, the flow of academic credibility. For researchers working at the margins of existing credibility economies, publishing an academic monograph is also about gaining global visibility and recognition. Promising to democratise publishing, the two publishers have both been accused of ‘predatory' business practices. In response, CSP has sought to accumulate scholarly credibility, whilst Lambert rejects what it calls ‘traditional' approaches to evaluating reputation and legitimacy. The two case-studies support a postcolonial critique of the ‘predatory publishing’ discourse, highlighting the exclusions and effacements enacted by the global academic publishing ecosystem.","PeriodicalId":47064,"journal":{"name":"Science As Culture","volume":"31 1","pages":"187 - 211"},"PeriodicalIF":2.5000,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science As Culture","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/09505431.2021.2005562","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
ABSTRACT As the global university sector continues to expand, ever more academic work is being published, including growing numbers of academic monographs. Digital technologies open up opportunities for publishers to reach new academic communities. Drawing on interviews with authors and publishers, case-studies of two companies - Lambert Academic Publishing (Lambert) and Cambridge Scholars Publishing (CSP) - interrogate their inclusive, author-centred visions. Conceptualisations of academic ‘credibility economies' strain to account for the different rationales academics have for publishing their work across a fragmented and multipolar global research system. Work has tended to focus on researchers' strategies for accumulating and managing credibility, rather than the structural blockages to, and the geographical constraints on, the flow of academic credibility. For researchers working at the margins of existing credibility economies, publishing an academic monograph is also about gaining global visibility and recognition. Promising to democratise publishing, the two publishers have both been accused of ‘predatory' business practices. In response, CSP has sought to accumulate scholarly credibility, whilst Lambert rejects what it calls ‘traditional' approaches to evaluating reputation and legitimacy. The two case-studies support a postcolonial critique of the ‘predatory publishing’ discourse, highlighting the exclusions and effacements enacted by the global academic publishing ecosystem.
期刊介绍:
Our culture is a scientific one, defining what is natural and what is rational. Its values can be seen in what are sought out as facts and made as artefacts, what are designed as processes and products, and what are forged as weapons and filmed as wonders. In our daily experience, power is exercised through expertise, e.g. in science, technology and medicine. Science as Culture explores how all these shape the values which contend for influence over the wider society. Science mediates our cultural experience. It increasingly defines what it is to be a person, through genetics, medicine and information technology. Its values get embodied and naturalized in concepts, techniques, research priorities, gadgets and advertising. Many films, artworks and novels express popular concerns about these developments. In a society where icons of progress are drawn from science, technology and medicine, they are either celebrated or demonised. Often their progress is feared as ’unnatural’, while their critics are labelled ’irrational’. Public concerns are rebuffed by ostensibly value-neutral experts and positivist polemics. Yet the culture of science is open to study like any other culture. Cultural studies analyses the role of expertise throughout society. Many journals address the history, philosophy and social studies of science, its popularisation, and the public understanding of society.