‘Walk like a Chameleon’: Gendered diasporic identities and settlement experiences

IF 0.3 0 ASIAN STUDIES
Reshmi Lahiri-Roy, Nish Belford
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引用次数: 4

Abstract

ABSTRACT Identity in relation to ‘settlement’ as a migrant generates challenges in redefining the old self into what one is and/or ought to become. The process of ‘becoming’ and redefinition of the ‘self’ leads to an ongoing struggle alongside the context, practices and culture of the host country thus creating multiple challenges while discarding or modifying popular notions of self and culture. Identities are fluid and subject to varying degrees of change brought about by one’s experiences and culture. As two ethnic migrant women in Australia, living in the context of social cleavages encompassing race, gender, culture, class, education and memories, we acknowledge our hybrid identities based on our past selves and the borrowed/adapted ways of doing and being in Australia. Tied in with these issues of identity is the concept of ‘settlement’ in Australia. While remaining mindful that dislocation of nation is not always dislocation of gender and social class, our autoethnographic accounts reveal our negotiations of ‘settlement’ within this alien yet now familiar space. In the process, this paper highlights the need for a niche discussion space for unpacking the experiences of transnational women of colour such as us who occupy a zone of what we term as ‘privileged marginalisation’.
“像变色龙一样行走”:性别流散身份和定居经历
作为一名移民,与“定居”相关的身份认同在重新定义自己是什么和/或应该成为什么方面产生了挑战。“成为”和重新定义“自我”的过程导致了与东道国的背景、实践和文化的持续斗争,从而在丢弃或修改自我和文化的流行概念的同时创造了多重挑战。身份是流动的,受到个人经历和文化带来的不同程度变化的影响。作为澳大利亚的两名少数民族女性移民,生活在种族、性别、文化、阶级、教育和记忆等社会分裂的背景下,我们承认自己的混合身份是基于过去的自我,以及在澳大利亚的行为和生活方式的借鉴/适应。与这些身份问题联系在一起的是澳大利亚的“定居”概念。虽然我们仍然注意到,国家的错位并不总是性别和社会阶层的错位,但我们的民族志自述揭示了我们在这个陌生但现在熟悉的空间内“定居”的谈判。在这个过程中,本文强调需要一个利基的讨论空间来揭示有色人种跨国女性的经历,比如我们,我们占据了一个我们称之为“特权边缘化”的区域。
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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