THE DOUBLEBASS: HISTORY AND CONTEMPORANEITY

Igor Socican
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引用次数: 0

Abstract

The author aims to outline a broad picture of the historical developments of the double bass, an instrument rooted in the rich medieval European tradition of building stringed instruments. The early forms of the double bass, the terminology, the tunings are presented, the role of the instrument in the instrumental formations and the establishment of its place in the classical symphony orchestra are appreciated. An important repertoire for double bass is reviewed, the composers who approached its sonority, are presented the most famous performers, representatives of different schools and directions of interpretation. The author talks about the importance of knowing all these aspects for research and evaluation of the role of this instrument in contemporary music.
双重低音:历史与当代性
作者旨在概述低音提琴的历史发展概况,低音提琴是一种植根于丰富的中世纪欧洲弦乐器传统的乐器。介绍了低音提琴的早期形式,术语,调音,乐器在乐器组合中的作用以及它在古典交响乐团中的地位。回顾了低音提琴的重要曲目,介绍了最著名的演奏家,不同流派和诠释方向的代表。作者谈到了了解所有这些方面对于研究和评价这种乐器在当代音乐中的作用的重要性。
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