Diglossic youth identity: The semiotic negotiations of fandom in North India

Q1 Arts and Humanities
A. Misra
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引用次数: 1

Abstract

This article looks at the activities of a fan club dedicated to Shah Rukh Khan for the purpose of discerning how young men and women negotiate their identities vis-à-vis a mainstream culture that perpetuates negative stereotypes about fans. The members of the club are upper middle class from New Delhi. The study of fan culture in India is primarily organized around the assumptions that its membership comes from the urban poor youth (men) and that it is a phenomenon restricted to South India. In other words, there is a sense that fan cultures like youth subcultures develop in direct opposition to the mainstream. My contention is that youth culture in neoliberal India exhibits a more complex form of negotiation with the mainstream marked by notions of ‘timepass’ (leisure time as ‘wasteful’), compromise and ‘diglossia’ (language meant to negotiate opposed cultural perceptions and expectations to gain an entry into symbolic capital). This becomes necessary because mainstream culture maintains a consistent approach of being opposed to fan culture.
八卦青年身份:北印度狂热的符号学谈判
这篇文章着眼于一个致力于Shah Rukh Khan的粉丝俱乐部的活动,目的是了解年轻男女如何在主流文化中协商自己的身份,这种主流文化使对粉丝的负面刻板印象永久化。俱乐部的成员都是来自新德里的中上层阶级。对印度粉丝文化的研究主要是基于这样的假设,即粉丝文化的成员来自城市贫困青年(男性),这是一种仅限于南印度的现象。换言之,有一种感觉,像青年亚文化这样的粉丝文化是在与主流直接对立的情况下发展起来的。我的观点是,新自由主义印度的青年文化表现出一种更复杂的与主流的谈判形式,其特点是“时间流逝”(休闲时间是“浪费”)、妥协和“双重损失”(旨在谈判对立的文化观念和期望以获得象征资本的语言)。这是必要的,因为主流文化保持着与粉丝文化相对立的一贯态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in South Asian Film and Media
Studies in South Asian Film and Media Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
8
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