Imagining genocide heritage: Material modes of development and preservation in Rwanda

IF 0.9 3区 社会学 Q3 ANTHROPOLOGY
A. Bolin
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引用次数: 8

Abstract

The Rwandan government has undertaken ambitious development projects resulting in major changes to the country’s built environment, including the materiality of genocide heritage. This article focuses on the genocide memorials of Nyamata and Ntarama, arguing that these sites demonstrate how globally-circulating discourses of development and preservation are vernacularized, instantiated, and transformed in their encounter with the national imaginary. The forces that affect the material choices of heritage management here include Rwanda’s state-led imperative toward a particular physical ideal of development, UNESCO World Heritage-driven concepts of authenticity, and the Rwandan government’s need for evidence of genocide. Differently affecting each site, these factors result in multiple modes of material intervention. The article argues that the physical form of heritage sites is shaped by engagements between global and local discourses and ideals of heritage and development; these engagements direct the processes of preservation and intervention that ultimately determine how heritage is materialized.
想象种族灭绝遗产:卢旺达发展和保护的物质模式
卢旺达政府实施了雄心勃勃的发展项目,导致该国建筑环境发生重大变化,包括种族灭绝遗产的实质性变化。本文聚焦于Nyamata和Ntarama的种族灭绝纪念馆,认为这些遗址展示了全球流传的发展和保护话语如何在与国家想象的相遇中被白话化、实例化和转化。在这里,影响遗产管理材料选择的力量包括卢旺达国家主导的对特定物质发展理想的迫切需要,联合国教科文组织世界遗产驱动的真实性概念,以及卢旺达政府对种族灭绝证据的需求。这些因素对每个场地的影响不同,导致了多种物质干预模式。本文认为,遗产遗址的物质形态是由全球和地方话语以及遗产和发展理想的相互作用形成的;这些活动指导了保护和干预的过程,最终决定了遗产如何物化。
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来源期刊
CiteScore
1.80
自引率
0.00%
发文量
30
期刊介绍: The Journal of Material Culture is an interdisciplinary journal designed to cater for the increasing interest in material culture studies. It is concerned with the relationship between artefacts and social relations irrespective of time and place and aims to systematically explore the linkage between the construction of social identities and the production and use of culture. The Journal of Material Culture transcends traditional disciplinary and cultural boundaries drawing on a wide range of disciplines including anthropology, archaeology, design studies, history, human geography, museology and ethnography.
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