A Realpolitik of Ethics. Behind the Specificity of the French ART System (1972–1994)

IF 0.4 3区 历史学 Q3 ANTHROPOLOGY
F. Cahen
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引用次数: 0

Abstract

This paper provides a fresh look at the specificity of French ART rules. Re-exploring the genesis of sperm banks and the emergence of ART regulation in the 1970s and 80s involves considering a sequence during which several options were competing and no “national path” was defined. Sperm banking constituted the locus of tensions concerning the social status of doctors, their place within the institutional landscape, and the impact of biomedicine. The Centres d’étude et de conservation du sperme humains (CECOS)’ “victory” did not result from its intrinsic features, but rather from their leader's integrated conception of ART and political sense.
道德的现实政治。法国ART系统的特殊性背后(1972–1994)
本文对法国ART规则的特殊性提供了一个新的视角。重新探索精子库的起源和20世纪70年代和80年代ART监管的出现,需要考虑一个序列,在这个序列中,几个选项相互竞争,没有定义“国家路径”。精子库是医生的社会地位、他们在机构格局中的地位以及生物医学影响等紧张关系的根源。人类生存与保护中心(CECOS)的“胜利”并非源于其内在特征,而是源于其领导人对艺术和政治意识的综合观念。
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
41
期刊介绍: The Journal of Family History is an interdisciplinary journal that publishes scholarly research from an international perspective concerning the family as a historical social form, with contributions from the disciplines of history, gender studies, economics, law, political science, policy studies, demography, anthropology, sociology, liberal arts, and the humanities. Themes including gender, sexuality, race, class, and culture are welcome. Its contents, which will be composed of both monographic and interpretative work (including full-length review essays and thematic fora), will reflect the international scope of research on the history of the family.
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