{"title":"Australian Women Working in British Broadcasting in the 1930s and 1940s","authors":"J. Baker","doi":"10.1525/FMH.2019.5.3.140","DOIUrl":null,"url":null,"abstract":"This article analyzes the connections between gender, labor, and mobility by tracing the transnational careers of two Australian women who began working at the British Broadcasting Corporation (BBC) in the 1930s and 1940s: Peggie Broadhead and Muriel Howlett. Both participated in the production of media content aimed at British diasporic audiences while at the same time negotiating their own Australian national identity and sense of belonging, within an imperial framework. A close study of institutional and private archives reveals that these professional responsibilities and tensions resulted in the formation of a new transnational identity of “Dominions broadcaster.” This article reveals the agency and adaptability of Australian women working in international broadcasting, and argues that through their labor and mobility they inscribed and made real the idea of imperial and Commonwealth networks.","PeriodicalId":36892,"journal":{"name":"Feminist Media Histories","volume":" ","pages":""},"PeriodicalIF":0.7000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1525/FMH.2019.5.3.140","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Feminist Media Histories","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/FMH.2019.5.3.140","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 4
Abstract
This article analyzes the connections between gender, labor, and mobility by tracing the transnational careers of two Australian women who began working at the British Broadcasting Corporation (BBC) in the 1930s and 1940s: Peggie Broadhead and Muriel Howlett. Both participated in the production of media content aimed at British diasporic audiences while at the same time negotiating their own Australian national identity and sense of belonging, within an imperial framework. A close study of institutional and private archives reveals that these professional responsibilities and tensions resulted in the formation of a new transnational identity of “Dominions broadcaster.” This article reveals the agency and adaptability of Australian women working in international broadcasting, and argues that through their labor and mobility they inscribed and made real the idea of imperial and Commonwealth networks.