{"title":"Memory practices ‘from below’: Mnemonic solidarity, intimacy and counter-monuments in the practices of Zoscua, Colombia","authors":"Claire Taylor","doi":"10.1177/17506980231170350","DOIUrl":null,"url":null,"abstract":"This article analyses the memory practices of Corporación Zoscua, a small, grassroots activist group in Colombia representing victims of the armed conflict within the region of Boyacá. After an initial grounding within the broader context of transitional justice and historical memory debates within Colombia, the article focuses on how Zoscua’s practices constitute a form of tactical, vernacular memory-making from below that involves temporary alliances and negotiations in order to make interventions into the mnemonic spaces of the city. Based on a mixed-methods approach that includes semi-structured interviews with participants, as well as textual and paratextual analysis, the article provides an analysis of the conception and construction of their memory wall in the city of Tunja. It highlights first how the choice of location of the wall constitutes a tactical take-over of public space, with grassroots memory being inserted into a conventionally top-down locale that conveys official, state-sponsored national values. Second, the article considers the practices and negotiations involved in designing and building the wall, and, subsequently, focuses on the content of the wall, with particular attention to the collective and collaborative nature of the artwork that, through its imagery, composition and focus on emotions, and contests the high-art values normally associated with monumental practices. The article concludes by suggesting that the distinction between top-down and bottom-up memory initiatives is complicated when examining the mnemonic practices of grassroots memory actors, who make tactical use of alliances to further their aims. As the analysis in this article reveals, bottom-up strategies undertaken by community groups and top-down initiatives promoted by authorities often become entangled or coalesce, evidenced both in the practices and negotiations involved in creating grassroots memorials, and in the resulting materiality of the memorial wall under discussion.","PeriodicalId":47104,"journal":{"name":"Memory Studies","volume":" ","pages":""},"PeriodicalIF":1.4000,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Memory Studies","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1177/17506980231170350","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
This article analyses the memory practices of Corporación Zoscua, a small, grassroots activist group in Colombia representing victims of the armed conflict within the region of Boyacá. After an initial grounding within the broader context of transitional justice and historical memory debates within Colombia, the article focuses on how Zoscua’s practices constitute a form of tactical, vernacular memory-making from below that involves temporary alliances and negotiations in order to make interventions into the mnemonic spaces of the city. Based on a mixed-methods approach that includes semi-structured interviews with participants, as well as textual and paratextual analysis, the article provides an analysis of the conception and construction of their memory wall in the city of Tunja. It highlights first how the choice of location of the wall constitutes a tactical take-over of public space, with grassroots memory being inserted into a conventionally top-down locale that conveys official, state-sponsored national values. Second, the article considers the practices and negotiations involved in designing and building the wall, and, subsequently, focuses on the content of the wall, with particular attention to the collective and collaborative nature of the artwork that, through its imagery, composition and focus on emotions, and contests the high-art values normally associated with monumental practices. The article concludes by suggesting that the distinction between top-down and bottom-up memory initiatives is complicated when examining the mnemonic practices of grassroots memory actors, who make tactical use of alliances to further their aims. As the analysis in this article reveals, bottom-up strategies undertaken by community groups and top-down initiatives promoted by authorities often become entangled or coalesce, evidenced both in the practices and negotiations involved in creating grassroots memorials, and in the resulting materiality of the memorial wall under discussion.
期刊介绍:
Memory Studies is an international peer reviewed journal. Memory Studies affords recognition, form, and direction to work in this nascent field, and provides a critical forum for dialogue and debate on the theoretical, empirical, and methodological issues central to a collaborative understanding of memory today. Memory Studies examines the social, cultural, cognitive, political and technological shifts affecting how, what and why individuals, groups and societies remember, and forget. The journal responds to and seeks to shape public and academic discourse on the nature, manipulation, and contestation of memory in the contemporary era.