Biombos mexicanos e identidad criolla

IF 0.3 3区 历史学 Q2 HISTORY
Alberto Baena Zapatero
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引用次数: 0

Abstract

The Mexican folding screen emerged in the seventeenth century as an expression of the tastes and concerns of the middle and upper groups in viceroyal society. This article seeks to reveal some of the secrets hidden in their paintings and reflect on the meanings with which their owners may have endowed them. A set of screens have been chosen with themes that relate to the formation of a Creole identity in Mexico. The research aims to understand why Conquista screens went from being a popular theme in the late seventeenth century to disappearing altogether in the mid eighteenth century. In other words, why did certain topics continue and evolve, while others vanished.
墨西哥Biombos和克里奥尔语身份
墨西哥屏风出现于17世纪,作为总督社会中上层群体的品味和关注点的表达。本文试图揭示隐藏在他们画作中的一些秘密,并反思他们的主人可能赋予他们的意义。一组屏幕的主题与墨西哥克里奥尔人身份的形成有关。该研究旨在了解为什么征服者屏风从17世纪晚期的流行主题到18世纪中期完全消失。换句话说,为什么某些主题继续发展,而另一些却消失了。
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
33
审稿时长
48 weeks
期刊介绍: Since 1940, Revista de Indias is a a wellknown forum for debates in the History of America targeted to specialized readers. It publishes original articles aimed at improving knowledge, encouraging scientifical debates among researchers, and promoting the development and diffusion of state-of-the-art investigation in the field of the History of America. The contents are open to different topics and study areas such as social, cultural, political and economical, encompassing from the Pre-Hispanic world to the present Ibero-American issues. The Journal publishes articles in Spanish, English and Portuguese. Besides the regular issues, one monographical issue is published every year.
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