Digital creation: possible (and achievable) futures

IF 0.2 N/A HUMANITIES, MULTIDISCIPLINARY
Artnodes Pub Date : 2021-07-09 DOI:10.7238/AV0I28.388278
P. Díaz
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引用次数: 0

Abstract

During the last year, science and technology have been playing an indispensable role in a difficult and complex context. All areas of our lives have been forced to adapt to digital processes at an accelerated pace. Faced with an obvious economic and social transformation, we want to consider the state of culture and creation, one of the sectors hardest hit by the crisis. Specifically, we are interested in focusing on the particular situation of digital creation, devastated especially by the lack of protection and funding, by the closure of galleries and specialised spaces. It is not a question of starting from scratch. Future possibilities must be presented as opportunities. First, by analysing what has been learned, experienced and discussed so far before and during the pandemic. From there, we must identify, on the one hand, the direct consequences of the pandemic, and on the other, the problems arising from the acceleration of the digital transformation. Especially in those aspects that allow us to relaunch and promote new lines of work, heterogeneous initiatives, or new methodologies while always bearing in mind that this knowledge and experience has to settle and survive under the rules of the digital economy. Both the creation and consumption of content requires new digital, communication, entrepreneurial and commercial skills. Let us look for new perspectives, let us face the transversality that the hybridisation between art, science and technology can offer. Let us analyse and share with all those involved in all the creative processes and avoid going back into a loop. We are facing a complicated and risky, but exciting project. It is more necessary than ever to learn from mistakes, and to extract the value of certain experiences related to digital art. And, above all, let us not forget two of the most important components: to value the creators, to recover the public, and to attract those who have never felt attracted by these types of artistic practices. Let us look for and share the way to encourage and promote new contents and scenarios.
数字化创造:可能(和可实现)的未来
去年,科学和技术在困难和复杂的背景下发挥了不可或缺的作用。我们生活的各个领域都被迫以加快的速度适应数字进程。面对明显的经济和社会转型,我们想考虑文化和创作的状况,这是受危机影响最严重的部门之一。具体而言,我们有兴趣关注数字创作的特殊情况,尤其是由于缺乏保护和资金,画廊和专业空间的关闭,数字创作受到了破坏。这不是一个从头开始的问题。未来的可能性必须以机会的形式呈现。首先,通过分析迄今为止在大流行之前和期间所学到的、经历的和讨论的内容。从那里,我们必须一方面确定疫情的直接后果,另一方面确定加速数字化转型所产生的问题。特别是在那些使我们能够重新启动和推广新的工作路线、异构举措或新方法的方面,同时始终牢记这些知识和经验必须在数字经济的规则下沉淀和生存。内容的创作和消费都需要新的数字、沟通、创业和商业技能。让我们寻找新的视角,让我们面对艺术、科学和技术之间的融合所能提供的横向性。让我们分析并与所有参与所有创造性过程的人分享,避免回到循环中。我们面临着一个复杂而危险但令人兴奋的项目。现在比以往任何时候都更有必要从错误中吸取教训,并从与数字艺术相关的某些体验中汲取价值。最重要的是,让我们不要忘记两个最重要的组成部分:重视创作者,恢复公众,吸引那些从未被这些类型的艺术实践吸引过的人。让我们寻找并分享鼓励和推广新内容和新场景的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Artnodes
Artnodes HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
26
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