La “Plaza de la Dignidad” como escenario de protesta. La dimensión cultural en la comprensión del acontecimiento de Octubre chileno

Q4 Arts and Humanities
J. Paredes P.
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引用次数: 0

Abstract

How did cultural factors participate in the event of October in Chile? How were these factors related to each other? What implications did they have for collective action and social life? The purpose of the article is to carry out a cultural reading of the October event. To do this, a dialogue is proposed between cultural sociology and cultural studies, applied to the October protest movement, resorting to interpretive research tools. The appropriation of Plaza Italia, in Santiago, by the protesters, is used in an illustrative way to highlight the cultural elements and their interactions. Among the findings, the production of meaning based on motifs and frames stands out, the production of its own symbolism and iconography and the deployment of performances that allow defining the Plaza itself as an artifact of protest. Then certain scopes of the above for civil society are discussed. It concludes with a projection of the work and a brief reflection on the relationship between social sciences and humanities to deploy an interpretive strategy of empirical research.
“尊严广场”作为抗议场所。理解智利十月事件的文化维度
文化因素是如何参与10月在智利举行的活动的?这些因素是如何相互关联的?它们对集体行动和社会生活有什么影响?这篇文章的目的是对十月的活动进行文化解读。为此,建议在文化社会学和文化研究之间进行对话,并将其应用于十月的抗议运动,采用解释性研究工具。抗议者对圣地亚哥意大利广场的侵占是为了突出文化元素及其互动。在这些发现中,基于主题和框架的意义产生尤为突出,其自身象征意义和图像的产生,以及将广场本身定义为抗议产物的表演部署。然后讨论了上述对公民社会的某些范围。最后,对这项工作进行了预测,并简要反思了社会科学和人文科学之间的关系,以部署实证研究的解释策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista de Humanidades de Valparaiso
Revista de Humanidades de Valparaiso Arts and Humanities-Philosophy
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
5 weeks
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